A Quote by Zedd
I've been making music for a long time, since I was very young, but at the same time, I'm still exploring what works for me. I feel like I'm just starting out.
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Music is my passion so I feel like I'll be doing this for a long time and God forbid if anything happens I'll still write music. So, I could write music for other people. I see myself making music for a very long time.
Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.
If I was a young director starting off, there's so many tools at your disposal now to do things relatively inexpensively that it's a great time to learn your chops and do some cool music videos. If I started all over again, I'd still be doing music videos, I'd just be doing them very differently. It's very difficult for me to do them now, but for young kids out there that love music and want to tackle a different art form - and I do think music video is an art form - that's a very cool thing to do.
Just reading that - just reading that a person can be black and still perform in blackface, making fun of black people for a living, and at the same time be a genius and be an incredible entertainer and at the same time be extremely conflicted and feel like - just feel terrible for doing that, essentially, which is what Bert Williams felt, from what I gather, from what I read - all of that just made - was so incredible to me.
Bach in general was so good with the violin. He just finds the genius way around his music on the instrument. When you think about the fact that the instrument has changed significantly since he wrote for it and his music still really works, it's brilliant. He was definitely ahead of his time. There's something so satisfying about his music. It's beautifully organized and emotional at the same time. I find it highly exciting.
I don't feel super attached to a certain time when I hear the music. Some of the songs I still play live and, through that I feel like I've been able to have it move with me through my life as opposed to being just a little piece of time.
It's definitely not the typical path. But at the same time, I've been working at this since I was young. I've been swimming and running my entire life, and I've been given so much support the last few years in cycling, that I've been able to improve. And I'm still improving and still absorbing that support to help me get to be the best that I can be.
There wasn't very much time between wrapping Revolutionary Road and starting The Reader. It was about five and a half months, which, for me, isn't that long. Some actors are very good at just going from one thing to another but I've always been a bit useless at that. The preparation time is important for me.
I'm happy with the people that I have around me. And they've been friends of mine since I was young, for a very long time.
It's a very weird job to have as a musician, because you spend long periods of time alone and then you have to go work with people for a long period of time and present your music after you've been making it by yourself. It's a very drastic phase.
I've got a very short attention span, and this has been part of the reason I'm so kind of dumbfounded at the fact that I've still stayed with music. Nothing has ever stuck for me, and music's the only thing that's managed to stick out for a long period of time.
I didn't take a break from making music, but I took some time away from the "need to sell it" thing, and moved to my hometown, Umeå. I took my time there, exploring music on my own, on a very personal level.
My mom has kind of been more of the emotional support system. One time I was really feeling all out of it, just dealing with a lot of cooks in the kitchen and adjusting to what it means to be in the music industry, and I called her. One of the first things she said to me was 'You have to be thankful that these people even like you, no one liked me, at all, I was not really accepted for a very long time.'
I have been in the music industry ever since I was six years old. I have been inspired by so many great artists and of course trying to be original at the same time. I try not to work under boundaries while I'm making music.
I feel like I've been very underrated and very kind of disrespected so far in my career. I just take the same approach every time out: try to go out there and dominate and be the best player on the court.
I've been grinding a really long time, and I've been broke for a lot of years. I may not have looked like it because, if you're fly, you don't need a dollar - you just need charisma. But I was riding hope as currency for a very long time. I feel like now, more than ever, I'm in my purpose, and comedy is the foundation of that.
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