A Quote by Zeena Parkins
That's one of the main things I do, work with choreographers. I've been doing it a long time, and it's a real important part of my life as a soundmaker, making music for dance.
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On reading the first part of Anthony Powell's four-part masterpiece, 'A Dance to the Music of Time,' I was struck by one of the characters - an irritating peripheral character- who keeps showing up in the main protagonist's life.
Music is my passion so I feel like I'll be doing this for a long time and God forbid if anything happens I'll still write music. So, I could write music for other people. I see myself making music for a very long time.
I believe it's important to put all of your energy into what you're doing rather than doing an office job and trying to muster up energy for music. It's been a real blessing to play music full time.
Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.
Always have a plan B and C, because if it doesn't work out there are other things you can focus on. It's important to have a balance to your life, regardless of what you're doing. I've been playing at this level for a long time, but I've got interests outside of rugby, like my family and my children. They keep me sane.
Music is something I do full-time in real life. I was doing music long before I was even thinking about acting.
Music is part of life. It is not the real life. I belong to that first: family, children. The important things.
Making dance music was one of the best things I did in my life. I traveled the world; I met the most amazing fans. I got a lot of respect from doing it.
Ultimately, I'm not the most prolific person, but I've been doing this for a long time, and I keep on putting out music. The only thing that drives music is the people who are making it.
Music making features real-time creation, real-time decisions and actions. It's basically improvisation, which is the stuff of everyday life. In the realm of discourse about music, improvisation is marginal, but in the realm of doing it, it's omnipresent. Strange distinction here: we're improvising all the time, but when we tend to talk about music, we tend to talk about objects that are fixed, like recordings, scores, pieces.
Music's been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal.
The real important things are kindness and a sense of humor. I've been fortunate to have dated and could have easily married women who have those qualities, and time and circumstances didn't work out. Timing plays a big part.
Dance has always been a really important thing for me, so being able to physically express the characters through music and dance is like another layer to things.
To come out here and play on Woodstock grounds, first year ever headlining on the main stage there's nothing more iconic. [Mysteryland] is one of those festivals that holds down the legacy of dance music it's been around for so many years. It's been part of what we do for so long. It kinda makes sense to bring the tradition over here to America. The festival grounds of Woodstock, that's pretty epic.
It's a very weird job to have as a musician, because you spend long periods of time alone and then you have to go work with people for a long period of time and present your music after you've been making it by yourself. It's a very drastic phase.
You cannot dance physically certain things. But look at tango dancers or flamenco or Japanese classical theater. You can, if you're smart enough and you collaborate with the right choreographers, you could really dance your age.
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