A Quote by Zeena Schreck

On the left hand path we take the direct route, which is much more strenuous, much more dangerous, and much more likely to cause you to fall. — © Zeena Schreck
On the left hand path we take the direct route, which is much more strenuous, much more dangerous, and much more likely to cause you to fall.
The love of admiration leads to fraud, much more than the love of commendation; but, on the other hand, the latter is much more likely to spoil our: good actions by the substitution of an inferior motive.
We can just assume they have much more and powerful, more advanced technology, all the new computers, everything could be much more easier and help them to build much more and many more nuclear weapons.
I think there are a lot of similarities between writing and music. Music is much more direct and much more emotional and that's the level I want to be at when I'm writing. Writing is much more intellectual and indirect and abstract, in a way.
More and more I like to take a train. I understand why the French prefer it to automobiling it is so much more sociable, and of course these days so much more of an adventure, and the irregularity of its regularity is fascinating.
What's been important in my understanding of myself and others is the fact that each one of us is so much more than any one thing. A sick child is much more than his or her sickness. A person with a disability is much, much more than a handicap. A pediatrician is more than a medical doctor. You're MUCH more than your job description or your age or your income or your output.
He was living in an age much more dangerous, more painful, much more on the edge than our own particular age.
In dialogue scenes, my favorite moments are when people aren't talking because you can cut to the heart of the matter much more quickly, often with a look. People hide things in words. When you don't have words to hide things in, it becomes much more direct and much more immediate of a connection.
If we ask for more and more material for the construction, i.e. more and more choice, we're likely to end up with a lot of combinations that don't do much for us or are far more complex than they need to be.
We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
I have no desire to direct at all. I know how much pressure it is, and, trust me, it's so much easier and so much more fun to be an actor.
I can only speak for me... but in my life, I find that, in sobriety, I feel much more, and I have much more depth. I also feel - not to segue, but as being a parent of five kids, I can bring much more to my acting, and so I'm all about anything that gives you more feeling and more depth.
When you think things are bad, when you feel sour and blue, when you start to get mad... you should do what I do! Just tell yourself, Duckie, you're really quite lucky! Some people are much more... oh, ever so much more... oh, muchly much-much more unlucky than you!
I think "post-racial" is a dangerous trap. You can fall into complacency and give your complicity a much more dangerous character.
The difficult thing, the glorious thing, was to be who you really were, even if that person was cruel or dangerous, particularly if cruel and dangerous. There was courage in not distinguishing the animal you happened to be. On the other hand, you had to avoid pretending to be more of an animal than you were: take that path, start exaggerating or faking and you became just another Cubby, just as much of a liar, a hypocrite
Poor kids are much more likely to become sick than their richer counterparts, but much less likely to have health insurance. Talk about a double whammy.
I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
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