To make a breakthrough in Hollywood, you have to be committed to doing it, which is true of anything in life. I was already a big star in India and I stayed with that.
If you're a big Hollywood star, you make one movie a year at the most. I can make five in Europe.
There are really at least two Indias, there is an India or a shining India the one which the west seas usually through urbanize and there is an India outside some of the big metro policies and in even the tier two cities and in rural India which is completely different. It goes by the name of Bahar which is a traditional name for India.
I'm not here to try and impress anyone or make anyone mad, I'm just going in there and doing what I love, and hopefully people can appreciate what I'm there for, and I'm not trying to be Hollywood star or a Hollywood personality or something.
I like the concept of 'Make in India'. But the orientation of 'Make in India' is slightly different than what I would. So, the orientation of Make in India is big business, and a lot of it is defence. My orientation of 'Make in India' would be small and medium businesses.
I think I'm pretty committed to staying. I'm not committed to not doing big movies, but I am committed to continuing to make smaller movies, not for the sake of making smaller movies, but because I think it's really invigorating to just go work with people and know that it might be awful.
When there's ever a breakthrough, a true breakthrough, you can go back and find a time period when the consensus was 'well, that's nonsense!' so what that means is that a true creative researcher has to have confidence in nonsense.
When theres ever a breakthrough, a true breakthrough, you can go back and find a time period when the consensus was 'well, thats nonsense!', so what that means is that a true creative researcher has to have confidence in nonsense.
To me the biggest breakthrough was when we did Terminator 2 that just opened the door for Jurassic and all of the others and that was as big as when we did motion control on Star Wars. But I don't see another big thing coming.
We all hope for breakthrough rebirth moments. When you're headed for a breakthrough moment, it's kind of scary because you say, 'If I break through then I have to make great change in my life.'
A lot of the reasons that I'm resistant to making films in the U.S. have nothing to do with not doing a film in Hollywood, but rather to do with what I'm committed to working on in the U.K. I feel very committed to the British film industry and infrastructure.
India is a great talent pool of actors. I see Freida Pinto making it big in Hollywood, and I am sure many others can also make it.
People keep saying EC3 is the heart and soul of TNA: that he's this homegrown star, and he is going to be this big star. But fans don't understand that I'm the true star - I came off Vince McMahon's TV.
I want to work with Steven Spielberg... whether it is a small role or big in a Hollywood movie, it will be a lifetime experience for me. It will be a dream come true for me. And I always believe that anything can happen in life.
I always tell people there's nothing greater than a crisis to create a breakthrough. Because that's when we breakthrough usually - most people don't proactively breakthrough - they breakthrough because they have to. And the beauty of crisis is it doesn't feel beautiful, is it melts us down. And when you're melted down you can recast your life in a new way.
This is true Hollywood glamour! I am taking personal jewels from a screen legend and creating a one-of-a-kind pair of shoes,which will be worn by a movie star of today.
I actually don't pay a lot of attention to the movie 'industry'... I just do the work when I get it. I never considered anything I was in, or did, as a possible breakthrough for me. I have advised other actors not to expect anything. Expecting a 'breakthrough' is almost an automatic for sure 'let down' or heartbreak.