A Quote by Zeenat Aman
Many from Peshawar starred in our film industry and Lahore too was the hub of films before the Partition.
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I was in Lahore before the partition, so I don't believe that a border can truly separate Punjab. I still think of it as one.
Israel has a fantastic film industry, and many times we are known for our political films or films that have to do with the army. I love the fact that we can show that there are films coming out of Israel that are just for fun.
Where I come from, it's a little bit like England. We start from the theater, and we do films a bit on our free time. The history of making films in Scandinavia is so old, it's like the oldest. The Nordic film industry started before Hollywood in Stockholm in Copenhagen.
One feature film that I am most proud of is Forrest Gump which starred Tom Hanks. Once you are called out to work in film, yes it is a small industry and your name gets around pretty fast.
The Mumbai film industry has definitely a bigger reach. But considering the rich content of work in many Bengali films, even by new directors, there has to be a better financially backed distribution model for films here.
Indian film industry has shot films all over the world and we get a lot of benefits and facilities while shooting our films in foreign locations.
In the Pakistani entertainment industry it's very, very difficult to get your foot in the door if you don't have a network in Karachi or Lahore or in the film circle.
Britain is producing some of the worst films in the world. Our film industry is desperate to be part of America, and we just churn out flaccid imitations of bad films over there.
When Pakistan was carved out of India's rib in 1947, it was assumed by some that Bollywood's Muslim stars would defect to the new state and thus boost the Lahore film industry. But Lollywood did not happen.
But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
'Satya' was a groundbreaking film that opened people's eyes. People like Ram Gopal Varma and Shekhar Kapur introduced such films in the industry as never seen before, and it wasn't easy if you went to a producer with an arthouse film back in the '90s. They'd laugh you out of the room.
I don't see a film industry in Germany. They have a great TV culture, but how many German films are really exciting?
Films are dreams. Many, many critics say to me that my films are not good because they are too unbelievable, but this is my style. I tell stories like they are dreams. This is my imagination. For me, it would be impossible to do a film that is so precise, that resembles real life.
Filmmakers need to give the audience that something extra, an incentive to spend money and go to the multiplex - the ticket prices are high. Otherwise they'd just stay home, buy DVDs or download movies. But if there were only big budget movies it would be impossible for the film industry to survive. So I emphasize the importance of mid-range films. But those films need the support of theatre owners. The theatre chains have to have the vision to realize the need to support smaller films for the growth of the domestic film industry.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
When you are on the set, you have different departments - you got camera, sound, props, hair, makeup, catering, executives. Imagine each one of those are spokes on the wagon wheel. All the spokes come into a hub: the hub is the director. The wood the spokes go into are distribution and promotion; the steel wheel around the hub is the film. None of these have anything in common with each other.
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