A Quote by Zelda Fitzgerald

She refused to be bored chiefly because she wasn't boring. — © Zelda Fitzgerald
She refused to be bored chiefly because she wasn't boring.
Raphael lifted a finger, tracing it over her cheekbone. She flinched. Not because he was hurting her. The opposite. The places he touched ... it was as if he had a direct line to the hottest, most feminine part of her. A single stroke and she was embarrassingly damp. But she refused to pull away, refused to give in." (page 33 , Gollancz edition)
I love you," he said. "You're more dear to my heart than I ever knew anyone else can be. And I've made you cry; and there I'll stop." She was crying, but not because of his words. It was because of a certainty she refused to consider while she sat before him.
He knew why he wanted to kiss her. Because she was beautiful. And before that, because she was kind. And before that, because she was smart and funny. Because she was exactly the right kind of smart and funny. Because he could imagine taking a long trip with her without ever getting bored. Because whenever he saw something new and interesting, or new and ridiculous, he always wondered what she'd have to say about it--how many stars she'd give it and why.
There's something unnatural about a woman finding babies or, more specifically, conversation about babies, boring. They'll think she's bitter, jealous, lonely. But she's also bored of everybody telling her how lucky she is, what with all that sleep and all that freedom and spare time, the ability to go on dates or head off to Paris at a moments notice. It sounds like they're consoling her, and she resents this and feels patronized by it.
She had been bored all afternoon by Percy Gryce... but she could not ignore him on the morrow, she must follow up her success, must submit to more boredom, must be ready with fresh compliances and adaptibilities, and all on the bare chance that he might ultimately decide to do her the honour of boring her for life.
We asked Jane Fonda if she would like to meet American pilots in Hanoi, but she refused, she didn't want to.
Dickinson is my hero because she was a joker, because she would never explain, because as a poet she confronted pain, dread and death, and because she was capable of speaking of those matters with both levity and seriousness. She's my hero because she was a metaphysical adventurer.
That's right,' she told the girls. 'You are bored. And I'm going to let you in on a little secret about life. You think it's boring now? Well, it only gets more boring. The sooner you learn it's on you to make life interesting, the better off you'll be.
My mom is one of those people that you feel honored to meet. And no matter who you are, you fall in love with her because she is spiritual, she's inspiring, she's strong, she's funny, she's creative, she's talented... she's everything that I want to be.
This season is a lot funnier, not as dark, mainly because, well, she has accepted the fact that she is dead. She knows she cannot go back to where she was when she was alive.
[The consumer] shown new styles in the moment, but she's not going to get them for another six months - and I think that's very confusing for her. She feels she's seen it all by the time it comes around. She's also a little bored. She's really into [snaps her fingers], "Wear-now-buy-now."
Michelle Obama is Superwoman. What can't she do? That's why people love her. She can be on the Supreme Court and anywhere else she wants. She can be the president. She's history and she'll stay history because she is so amazingly smart and together.
She's not perfect, but she tries so hard for me. And I thank God, that she isn't, cause how boring that would be.
When cellphones came out, my girlfriend refused to get one for five years, because she thought it would turn her into somebody who couldn't connect with other people - and, of course, she got a cellphone.
She cried for herself, she cried because she was afraid that she herself might die in the night, because she was alone in the world, because her desperate and empty life was not an overture but an ending, and through it all she could see was the rough, brutal shape of a coffin.
I think it is our job as poets to refuse the terms that society so often sets for usefulness. That, for instance, is what Dickinson did: she refused to be a wife, a homemaker, a standard member of her community. She knew she had to in order to have the space and time to write her poems. Thank god she said no!
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