A Quote by Zelda Rubinstein
I'm not a southern lady, I'm from Pennsylvania and we speak sort of correctly there. People identify me that way and they also easily identify me on the street because of my short stature. I get picked out in many ways and no way is a burden.
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I've thought many times, 'I can't write this,' but on my own little planet I found the courage to write it because it was true. I put aside fear of Father being angry with me. It's hard though; the world pales in comparison with the stature of a parent. In some small-consolation way, my parents feel I'm helping people by giving them something to identify with. They feel proud in a sort of reverse way. My mom's proud of the fact that lots of kids look up to me.
I have been villainized because of my identity - I've received nasty blog comments and emails just based on my willingness to identify with feminism by people who clearly don't understand what I value and why I identify as a feminist. Ultimately, I'm less concerned with whether or not people identify as feminist and am more concerned with whether or not people understand what feminism is. If they don't want to identify as a feminist that's fine. I respect people's decision to identify any way they want and expect that same respect in return, although I don't always get it.
I'm lucky because I have so many clashing cultural, racial things going on: black, Jewish, Irish, Portuguese, Cherokee. I can float and be part of any community I want. The thing is, I do identify with being black, and if people don't identify me that way that's their issue. I’m happy to challenge people's understanding of what it looks like to be biracial, because guess what? In the next 50 years, people will start looking more and more like me.
My mother helped me identify myself the way the world would identify me. Bloodlines didn't matter as much as how I would be perceived.
I identify with my body, but I don't identify it as male or female; I just identify it as a vehicle to help me bring my awareness around the world.
People identify with me - everyone does - African American women, Caucasian women, they all identify with me because I'm ethnic.
If people can identify with me in a good way and get some inspiration out of what I've done, that's good. Then football's all worthwhile.
I do identify as a Muslim and I do identify as a Bangladeshi girl, I identify as British, as well, and a woman and I'm a woman of colour, and why am I ashamed of that? And I used to not want to talk about it. But that is me.
The accent in England can change literally from street to street, and people have this sort of feudal tribalism whereby you can identify somebody's provenance by their voice.
A great director, first, is highly intelligent. And he is also a dedicated and willing to work hard. Now those are easy things to identify. The third is the creativity, and that is very difficult to identify in advance. This is why so many of the directors who have started with me were my assistant - the first one was Francis Ford Coppola.
Everyone would tell me they couldn't identify with sexual abuse. No one says they can't identify with the tales of the Greek gods and goddesses because they don't live on Mt. Olympus.
People identify with other people for different reasons, and I personally am really comfortable around lesbians because, in some ways, we view women the same way.
I think in many ways, I'm sort of a blank canvas, because in many ways, I'm just observing the world and the people around me and their characters and letting them kind of explode off me and to find out why they're doing what they're doing. But then every once in awhile, I get to take on a whole new character.
I love Elizabeth Taylor. I'm inspired by her bravery. She has been through so much and she is a survivor. That lady has been through a lot and she's walked out of it on two feet. I identify with her very strongly because of our experiences as child stars. When we first started talking on the phone, she told me she felt as if she had known me for years. I felt the same way.
The story of 'Rudy' has almost transcended me. I'm the representation, but there are so many people out there that identify with it.
I suppose my job is to describe spaces that are honest to me. And the goal, I suppose, is that the listener can hear themselves in some way in that song and also, in some way, hear me. And so if the listener is able to identify with my honesty then I'm being the most helpful I can possibly be.
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