A Quote by Zeljko Ivanek
I had such an amazing experience on 'The Pillowman' that it was hard to think what else is going to live up to that.
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I think there's just a lot of compassion in art. Again, when you're doing something that resonates with somebody else, you're going through an experience another person has had, whether it's been a painful experience or a joyous experience or a happy experience.
My pledge to myself is I will believe in my music, always. I stand behind everything I do. If I don't think it's amazing, how the hell is anyone else going to think it's amazing? But that's just me.
I don't go to shows because I just want to listen to the music performed live. I want to get to know the person who's performing it. Or I want to, like, take away a sense that I had an experience that nobody else is going to have again, or a unique experience for that moment.
You look around, and you think, 'Given the chance, if we can get away with it, people are going to be nasty to each other. They're going to pull up the draw bridge; they're going to draw up the ladder and try to live in this little bubble without giving anything to anyone else - without even receiving anything from anyone else.'
We enjoyed such amazing success on Sex and the City. You don't expect success on that level, it was such a big deal, and it was so intense and wonderful that it is hard for anything else to live up to it, quite frankly. So now I just try to have fun and work with interesting people. I think that there is a perception that certain films won't be popular. So it was great that The Devil Wears Prada did really well.
I did a play back in 2005 called 'The Pillowman,' which Martin McDonagh directed, in which, at the very end of the run, I caught a case of shingles. I had something burst on my forehead, so I actually have a mark on my forehead from that experience. But it's also an internal mark as well.
I love bad movies, whereas going to the theater for me is a painful experience. I think it's really hard to sit and watch actors do something live and have it not go well.
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If I have to work hard or think hard or just copy somebody else that's doing it better - whatever it takes, I'm going to find that solution. That's the drive that keeps me going.
One night my son was downstairs studying, and he had been up so late all that week, and my husband said, "I feel so sorry for him." I said, "Look, if he's going to become a surgeon" - he is studying to be a doctor - "he's going to have his hard times. I feel sorry for him too, but if he lives in this world he's going to have more hard times. He's going to stay up some more nights." I think we can't shield them from the hard times, even though we'd like to. I say to the children that I teach and to my own - I can't test the ground for you and tell you that's a safe step there.
One of the traps of adolescence is the sort of paranoid resentment that somehow you're never going to match up and that everybody else's life is going to be better and finer and fuller. That everyone else attended some secret lesson in which how to live was taught and you had a dental appointment that day, or you were somehow not invited. And the point of great writers like Wilde is that they make that invitation to you.
I believe there's more than this - that maybe when we die our brains conjure up some kind of shutdown experience, and that's what people try to sum up as the afterlife. But yeah, I think something else is going to happen and it's going to be crazy and confusing and weird, and we probably won't know what it's all about. It'll just be another place where we're trying to understand why we exist at all.
For the last 20 years of my life, I've had the mantra to do amazing parts with amazing people in amazing projects, so I'm attracted to good story, writing and character and good people. That's what I'm always searching for and I don't think that's ever going to change.
I had seen 'Pillowman' in London and loved it. Being part of something that I, as an audience member, would like to be part of was one of the greatest experiences I've ever had.
Videos are tricky because stuff sounds amazing on paper and it seems like it's going to be this mystical experience and you're going to look back and go, "Wow, that was magic." But more times than not, it doesn't end up that way, so I never know what I'm going to get.
I think the bottom line is that we have to learn from what's going on in other countries. We have to learn from what people are doing to and live fully in really dire, hard circumstances, and then compare that to our own experience.
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