A Quote by Zeljko Ivanek
I had seen 'Pillowman' in London and loved it. Being part of something that I, as an audience member, would like to be part of was one of the greatest experiences I've ever had.
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The theater is a communal experience, and whatever the emotional connection between an audience member and the actors onstage, it ripples through the whole audience. Part of the fun of the play is being a part of that audience.
Part of the discipline of being an editor is that you have to be a good audience member; your work is to be a surrogate audience member on the films you are working on.
I wasn't part of the Taboo crowd the same way I was part of the New Romantics. I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
I had to get used to seeing Samantha Bee around. I had to get used to seeing Jon, like, getting a bagel, and to John Oliver, and all these people whom I had seen on TV. Colbert would sometimes drop by. I had to get used to being a part of this multiple-Emmy-winning machine and being this 22-year-old black girl who was really green.
When you ask people what it is like being part of a great team, what is most striking is the meaningfulness of the experience. People talk about being part of something larger than themselves, of being connected, of being generative. It becomes quite clear that, for many, their experiences as part of truly great teams stand out as singular periods of life lived to the fullest.
I had an audition notice from my agent telling me the fake name of the part with a short description. I knew it was for The Walking Dead' but had no idea of what the part would end up being.
There are many projects that I would have loved to be a part of, but I was not high-profile enough, or I had the wrong look. That's just something you have to expect.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
I didn't feel like gymnastics were part of The Cars. I certainly philosophically didn't want to prod the audience to react to anything. To me, it was more like negative theater. We didn't really talk to the audience. I didn't see that being a part of this band.
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I can't imagine ever not doing [acting]. I would feel like I would have lost a limb. But I am older now, and sometimes I wonder who I would have been and what about me would have changed had I not had these experiences as a young person
We were dealing with films that had very prominent roles for women and I felt I was actually contributing something. Many people had wondered why I would want to do a film where the best part was a woman's part. But I wasn't afraid to be the lesser intelligence in a film.
I'd had a French education for three years, my father being in the army. From 9 to 12, I went to French school. I've been sort of part of the culture, part of the geography, since I was quite young - the imprint was there. And I loved it.
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I believe, myself, just being a part of the Lakers is one of the best experiences I've had.
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