A Quote by Zella Day
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
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I'm writing all the time, really. It's become a little bit of a problem when I go home. Sometimes I should really go out and hang out with my friends, but what happens is I get really inspired and then just go and mess around on the computer.
With The Reader, I'd just be shattered at the end of every day really. I wouldn't really want to talk. We kept saying, because we were in Berlin: "If we get back at a decent hour, let's go and have a glass of wine." We'd always think it would be a great idea, but then get to the end of the day and then go [acts drowsy and blabs]. It was very difficult for everybody.
It's a risk-reward thing. If I do go out and try and play and get hurt again, then I'm definitely out. I've got no chance to go. If I'm ready, then great. It's getting better. I've been doing a lot more in the last couple of days. I've got a day off (on Wednesday) and then hope to come back in on Thursday and really see where I am at and test it out. Hopefully I'm going to play this weekend but, in reality, we'll see.
Sometimes I get kind of bored if I go like a month or so and I'm not doing anything. At first I'm like, 'Cool, I'll have a little time off and I'll get to hang out with friends,' but then after a little while goes by I'm like, 'Oh,' and I really wish that I could go back and start doing work again.
My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.
I'm 26 years old, I'm not some 43-year-old who's just gonna watch TV all day. Of course I want to go out there, hang out with teammates, hang out with people I love, go to the beach, go hang out!
You can read books on stuff all day long, but until you get out there and just do it, if you want to start playing, and you want to make some music, then go out and play. Go find yourself a venue and play, even if it's in your home. Just play every day. You win the fight by fighting.
I love this style: get the ball back quickly, then play possession with so many combinations. When you watch that, you get the feeling you want to go out on the pitch and play football with your friends and just enjoy yourself. City and Barcelona are great examples.
And by banning [smartphones] from the set, the whole crew tends to work tighter with each other. And then it just becomes a thing where people kind of fall in love with the idea, 'This is the film-industry that I signed up for! This is really wonderful.' But then they go back to another set and everybody's on their cellphone, everyone's in their own little box, and they get depressed about it.
Some of my peers are artists who are at the same level as I am and have been getting paid more than I have, so there's even a pay gap. It's disgusting. But as soon as you get one person speaking out about it then you'll get other people coming out of the cracks saying, "Actually, me too." I'm starting to see and feel a bit of change in the industry now. It's long, long overdue, but it's a beautiful thing to see and it's just going to get better as the days go by.
I guess the way to keep a grip on reality is just to take breaks in between albums like most normal bands do. Go home and be a person and hang out with your friends. Do separate things and get back to earth and write songs and go out there again.
I mean there's a college kid left in everyone. I bet you, too, if you could go back you would for a night or two, so why not? My brother's still in college, my little brother, so it's always good to go back and get a little glimpse of it and to hang out with him for a weekend or two.
You play with the audience, and they play back with you. They get into it, and then everybody gets into it. I don't want to be like a monkey on stage and just go through the motions because then it wouldn't be fun anymore. I just pay attention to the audience and appreciate the fact that somebody wants to see us. That gets me psyched.
Honey, I've watched a lot of 90210. The parents weren't even on the show once Brandon and Brenda went to college. This is your time - you're supposed to going to frat parties and getting back together with Dylan." "Why does everybody want me to go to frat parties?" "Who wants you to go to frat parties? I was just kidding. Don't hang out with frat guys, Cath, they're terrible. All they do is get drunk and watch 90210.
The only thing you are really here to do is play football. So when you get a chance to go to the draft, and that part is over with, and you get signed on to a team, and you're ready to go, now it's back to everything you've been doing to get to this point, and that's play football.
Usually I can go for three or four weeks and then I start to bake cakes or make jewellery and I think, 'hang on a minute, I'm obviously bored rigid. I need to get back out there.'
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