A Quote by Zephyr Teachout

People respond to political characters in archetypal ways. A fun game is to think of a politician and ask, "Which god is that? Are they like Aries? Are they like Athena?"
A lot of politics plays at the level of myth, and if you understand that, then you feel like you have access to the secret language of politics. People respond to political characters in archetypal ways. A fun game is to think of a politician and ask, "Which god is that? Are they like Aries? Are they like Athena?".
I can understand the Greek idea that there are these these principles of lightening or of war or of wisdom and to embody them, to personify them into a Athena or Aries or whichever god you want makes enormous sense.
I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters.
The thing I respond to the most is just great writing, interesting characters. I like to think that there is something fun about playing a character that has a lot of authority in her own life.
Every time a confident, successful woman like Marissa Meyer distances herself from feminism, I think of Athena. Athena women, with all their brilliance and strategy, are the ones smashing up through layers of glass. They tend to identify with men, keeping femininity at a distance.
I think audiences definitely respond to people who are not living the perfect lives. The flawed characters, the people who are struggling. The antiheroes - people like to see that a lot more.
I understand why creative people like dark, but American audiences don't like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
I understand why creative people like dark, but American audiences dont like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
People say that they like the characters that they believe that I am. But, I don't as much. I like the characters that I believe that I am not. Like my role on 'Law and Order.' That character unnerved people. And I loved every second of it. I want to continue growing as an actress. There are ways that I can reach quicker, or deeper, with acting.
For Calvin, the creation reflects its Creator at every point. Image after images flashed in front of our eyes, as Calvin attempts to convey the multiplicity of ways in which the creation witnesses to its Creator: it is like a visible garment, which the invisible God dons in order to make himself known; it is like a book in which the name on the Creator is written as its author; it is like a theater, in which the glory of God is publicly displayed; it is like a mirror, in which the works and wisdom of God are reflected.
I like characters. I like spirited characters whether they exist in fiction or real life. Whether they're the invention of artistic people or directors, musicians. I think music and art and fashion designers inspire me and I like characters.
I think there's a lack of really, really good funny scripts out there that work on all the levels that they're supposed to - which is to say that they're not just funny but they have interesting characters that people are going to like and be invested in. I've done a bunch of movies that haven't worked but I like to think I've done some that have worked and that's because not only is the comedy there but the characters and storylines are interesting. The characters are real and relateable and people were invested in them.
It is weird. A lot of people try to ask me political questions. I'm not a politician.
Hearing him speak is so fun, reassuring I dare say. You can say all you like about Sihanouk: that he's an atrocious liar, a madman, a fraud, a swashbuckler, an international blot. You may think that, but you cannot deny how in this age in which the political arena seems to generate only dull, obtuse and boring characters with no imagination, he's a kind of miracle.
I never even think about the physicality of roles, until honestly I get the gig and I think, 'OK, now what do I have to do in this one?' Like, I approach it thinking more about the character - do I respond to it? Is it something I think I can play? Does it seem like it'll be fun?
We need God in ways we do not know. Don't limit your experience of God to what you can think to ask. Ask for the unknown joy.
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