A Quote by Zhang Zhidong
If, in the schools, the classical language would no longer be taught, whom could we entrust with the writing of memorials, documents, letters and notes in the public service? How could we possibly assign important offices and heavy responsibilities to someone who cannot even write fluently?
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The biggest problem is that people want to tell the whole story, and they write letters that are way longer than anything I could possibly run.
After my husband died, I could not write much - I could not concentrate. I was too exhausted most of the time even to contemplate writing. But I did take notes - not for fiction, but for a journal, or diary, of this terrible time. I did not think that I would ever survive this interlude.
I realized how valuable the art and practice of writing letters are, and how important it is to remind people of what a treasure letters--handwritten letters--can be. In our throwaway era of quick phone calls, faxes, and email, it's all to easy never to find the time to write letters. That's a great pity--for historians and the rest of us.
Empress of the Universe would be way too much work. I'd have to wear fancy clothes, probably including lady shoes with pointed toes, and could no longer slouch into the study in PJs and slippers. Someone would (avert!) straighten my desk. Someone would reorganize my yarn stash...in fact, they'd assign someone else to knit my socks, thus depriving me of an excuse to rest my brain while pretending to accomplish something useful.
My advice to young writers would be to write every day, even if it is only a few words. Get yourself on the habit of writing and it will become a lifelong one. And find a place to write where you are physically comfortable. You can't concentrate if you aren't. Ernest Hemingway could only write standing up, and Truman Capote could only write lying down!
When I first ran for public office, it was with the passion and idealism of a young man who believed that government could help make our lives better, that public service was a calling and that citizenship demanded responsibilities. There was a greater good.
I wonder if Eve could write letters in Paradise! But, poor Eve, she had no one to write to - no one to whom to tell what Eden was, no beloved child to whom her love traveled through any or all space. Poor Eve!
The main issue when it comes to hiring someone from Asia is the language barrier. It's difficult to book someone when they don't speak the language and they can't deliver the lines or even speak to the director. But in terms of Asian-American actresses, we all speak it fluently!
He was someone whom everyone admired and liked but whom nobody knew. He was like a book that you could feel good holding, that you could talk about without ever having read, that you could recommend.
Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
To me, writing is much freer than dancing. With writing, you could do it whenever you wanted. You didn't have to do little exercises and stay in shape. You could have great moments of inspiration that advanced the story. In dance, unless you're going to choreograph things yourself, you're at the service of someone else.
'Where'd You Go, Bernadette' is an epistolary novel - one told in letters. I had no idea how much fun it would be, puzzling together the plot with letters and documents.
You could run from someone you feared, you could try to fight someone you hated. All my reactions were geared toward those kinds of killers – the monsters, the enemies. When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give your beloved, how could you not give it? If it was someone you truly loved?
When I realized I could write lyrics and let someone that I knew listen to them, but not know that the song was about them - say it was a girl. I could write this song about how I feel about this girl, I could play it to them. I just loved it, because all of the words would speak to them. I could see them slowly falling in love with me.
I didn't write my speech until the night before, and even then I refused to write it out like I would say it, preferring to keep cribbed notes I could come back to if necessary. I wanted this to feel like a conversation because it was what I wanted to say that mattered, not how it looked on paper.
We can no longer communicate with the apes by direct language, nor can we understand, without special study, their modes of communication which we have long since replaced by more elaborate forms. But it is at least presumable that they could still detect in our speech, at least when it is public and elaborate, the underlying tone values with which it began. Thus if we could take a gibbon ape to a college public lecture, he would not understand it, but he would "get a good deal of it." This is all the students get anyway.
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