A Quote by Zhang Ziyi
Working in Hollywood, it's clear the more money you have, the more technology you can get. So you can build a whole Japanese set. Only in Hollywood!
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The only way that Hollywood ever skews toward liberal is because part of what we make out of Hollywood involves writers, actors, directors, musicians, set designers, and photographers. In general, people like that are going to be more progressive, more open minded, a little more altruistic.
The difference between working on Asian and American films is in the producer and director; everyone has their own style. But, Hollywood has a lot more money; they can spend a lot on films, and time. In Europe, there's a small budget and thinking about commercial. Only budget and taste is different between there and Hollywood.
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
Hollywood industry people are very spoiled. I don't think they can adjust to the insane, no-money, super-hard working tradition of Japanese filmmaking. I don't think any American can go through that. They don't want to work more than twelve hours and they want Saturday and Sunday off.
There isn't any question that Hollywood is profit driven. Anybody that thinks it isn't is a fool. It's a business. Hollywood was never philanthropy. The only purpose it had was making money; the only purpose it still has is to make money.
I think Hollywood's gotten more reactionary and conservative over the years, because there's no longer art in Hollywood. Art suffers in Hollywood.
People are looking more and more to Hollywood for fashion trends: who got dressed in what, and what was on the red carpet. Hollywood is becoming a big advertisement.
All those pseudo-Hollywood movies set nowhere, with everybody good looking and having great physique - that's not working any more.
THE DYING GAUL is a Hollywood satire. But Hollywood is not the real subject matter here. My play uses that world of high-rolling big money - that crazy-making business - to examine a whole range of subjects.
I would love nothing more than me and my family getting green cards, going to L.A. for a year, sitting down with the big Hollywood studios and coming up with the most advanced and awesome Internet distribution platform for movies. It would make Hollywood more money than cinemas, DVDs, and everything else combined.
If you think Hollywood is depressing and corrupt, politics is really depressing and corrupt -- and fueled even more than Hollywood by money -- if that's possible.
I think that there are a lot of male writers and directors in Hollywood, and a lot of the female characters you do see are really one-dimensional, but I think that's changing more and more as there are more women taking control in Hollywood.
The Hollywood actor business can be a little shallow and can be a little more of a facade, and Nashville and the South, people are genuine and real, so if I can be based out there and go off to Hollywood to do a film or do another TV show and then fly back to Nashville, I'd be set.
The pressure in Hollywood is bigger to look good than in Germany. In Germany, we are more forgiving. Having a personal coach in Germany is not nearly as common as in Hollywood. In Hollywood, I think everyone has a personal trainer.
I wasn't making any money, but I didn't feel unsuccessful because of that. You can do that in New York but not in Hollywood. In Hollywood, it is how much money you make.
I grew up in a Hollywood family with money, so money is not the reason I make music. I'm as Hollywood as it gets. Not internally but externally - that's my bloodline.
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