A Quote by Zhang Ziyi

There's nothing in Chinese culture that is an equivalent of the geisha. It's so different, so special to Japan. — © Zhang Ziyi
There's nothing in Chinese culture that is an equivalent of the geisha. It's so different, so special to Japan.
At the beginning of my career as a writer, I felt I knew nothing of Chinese culture. I was writing about emotional confusion with my mother related to our different beliefs. Hers was based in family history, which I didn't know anything about. I always felt hesitant in talking about Chinese culture and American culture.
Geisha because when I was living in Japan, I met a fellow whose mother was a geisha, and I thought that was kind of fascinating and ended up reading about the subject just about the same time I was getting interested in writing fiction.
I celebrated my 18th birthday in Japan, which was quite memorable; I was quite fascinated by the different traditions and the culture; it was so completely different to Australian culture.
The first rule that a geisha is taught, at the age of nine, is to be charming to other women...Every girl in the world should have geisha training.
It is confusing, because in this culture we really don't have anything that corresponds to geisha.
She paints her face to hide her face. Her eyes are deep water. It is not for Geisha to want. It is not for geisha to feel. Geisha is an artist of the floating world. She dances, she sings. She entertains you, whatever you want. The rest is shadows, the rest is secret.
Zen has an expression, "nothing special." When you understand "nothing special," you realize that everything is special. Everything's special and nothing's special. Everything's spiritual and nothing's spiritual. It's how you see, it's what eyes you're looking through, that matters.
My experience of Chinese culture is indirect, through echoes. When I approach the cashier at my local Chinese supermarket, they switch to English before I've even said a word. They somehow know that I'm not quite Chinese enough.
The destruction of Chinese traditional culture didn't start in 1949. It started long before that, with the succession of revolutions. It was particularly bad during the Cultural Revolution, the destruction of traditional Chinese culture.
I loved my time in Japan, and I am grateful to have had the chance to live in Japan and embrace the Japanese culture.
The two ethnic groups that remain fundamentally different from the Han Chinese - in terms of history, culture, language, religion and physical appearance - are the Uighurs and Tibetans. In these two groups, the Han Chinese come face to face with difference.
Zen says everything is divine so how can anything be special? All is special. Nothing is non-special so nothing can be special.
In Japan, it becomes a huge issue in terms of not just the government and its protest against the United States, but all different groups and all different peoples in Japan start to protest.
The Chinese culture belongs not only to the Chinese but also to the whole world.
We don't become geisha because we want our lives to be happy; we become geisha because we have no choice.
There's inherent cultural imbalance whenever you're translating from Chinese to English. Educated Chinese readers are expected not only to know about all the Chinese references - history, language, culture, all this stuff - but to be well-versed in Western references as well.
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