A Quote by Zhang Ziyi

From beginning to end I worried that Ang Lee wouldn't be satisfied with my work. So I worked as hard as I could to earn his trust, because you only get a chance like this once.
I once was poor myself. I worked to get where I am today and I've worked hard to spend $100,000 a year on my clothes and I've worked hard to earn $3 million a year. I deserve what I get because I worked for it.
I don't want to be more famous. I enjoy making movies but I enjoy my private life too. As an actor, to do it once in my lifetime I think would be a good experience. But I'll just leave it to fate. I had a chance to work with Ang Lee because of fate.
We must never take the public's trust for granted - our predecessors worked hard to earn it, and it is our responsibility to continually earn that trust.
There's always an intellectual side to the films Ang Lee's doing and to the characters, and there's such a deep knowledge when you've worked with the actors that he's worked with, on stage in particular, but also in film.
The Christian life is a thank-you from beginning to end as we ponder what God has done. What an absurdity to think that we could ever bargain with God, as if there were anything we could put on the table. Nothing we can do would ever earn his favor. Yet all is ours for free. And the cross reveals his willingness to forgive not just once, but over and over and over again. How can we repay such extravagant, generous love? We cannot and need not, and the heart's only answer is gratitude.
It's seldom that you get to work with one director more than once. I've worked with Clint Eastwood three times, but that's the only one that's happened with, simply because I adore his work.
Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it.
But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a comic book, that was just great.
That's a great feeling to know that I'm going into a project that I have no idea what will become of that movie, but I really trust Ang Lee. And I really trusted Ron. It's just really nice to work with people that you feel that way about.
Pretty much the only goal I've had since the beginning, which I still have, is just to get better, work hard, focus, and everything else will just be a bonus. As long as I'm satisfied, and I think we're getting better with every song compared to the last, then I'm satisfied and that's all I want. If we don't achieve that, then I'll be disappointed.
I had attraction to work with Ang Lee. I wanted to work with him.
Ang Lee was educated in the West and his English is good.
The opportunity, number one, to work with Ang Lee is an amazing thing for me.
The thing that is so great about Ang Lee is the diversity in his filmmaking, from 'Brokeback...' to 'The Hulk.'
We are all from different cultures. Heath's [Ledger] Australian, really. I'm from here. Ang's [Lee] from China. But I think Ang gets very close in preproduction and rehearsals. And then he allows his actors - I don't think scared of actors, but I think he's scared of getting in on the scenes he's watching. The space he's watching. So he just totally disconnects from you while you're shooting.
Because things like this you can only ssay once. And you either get it wrong or right, it's the end either way, because it's too hard to ever try to say again.
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