A Quote by Zhou Enlai

One of the delightful things about Americans is that they have absolutely no historical memory. — © Zhou Enlai
One of the delightful things about Americans is that they have absolutely no historical memory.
We probably have, right now, after the Civil Rights movement - and this was very unfortunate - the most glaring time of giving up on Africa, saying we're Americans. We are Americans. I'm not arguing that point. So are the Italians. So are the Germans. So are the Jews. We're Americans with an historical geography of origins outside of the United States as all people, maybe except the indigenous Americans who came here so long ago, who have generations of people whose historical origins are right here but whose initial historical origins are somewhere in Asia.
I'm not entirely sure what a historical novel absolutely has to be, but you don't want a reader who loves a very traditional historical novel to go in with the expectation that this is going to deliver the same kind of reading experience. I think what's contemporary about my book has something to do with how condensed things are.
Exceed due measure, and the most delightful things become the least delightful.
I'm so tired of the left trying to divide us by race. One of the things I said today in my speech, we're not Indian-Americans, African-Americans, Irish-Americans, rich Americans, poor Americans. We're all Americans.
Cultural concepts are one of the most fascinating things about historical fiction. There's always a temptation, I think, among some historical writers to shade things toward the modern point of view. You know, they won't show someone doing something that would have been perfectly normal for the time but that is considered reprehensible today.
Memory and poetry go together, absolutely. It is a matter of preserving and of remembering things.
I loved Japan. I used to read a lot about it when I was a child. And I always wanted to go. And it was delightful. I absolutely loved it. What a smashing place.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
My obsessions stay the same - historical memory and historical erasure. I am particularly interested in the Americas and how a history that is rooted in colonialism, the language and iconography of empire, disenfranchisement, the enslavement of peoples, and the way that people were sectioned off because of blood.
We only store in memory images of value. To write about one's life is to live it twice, and the second time is both spiritual and historical.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
I always think that the most delightful thing about traveling is to always be running into Americans and to always feel at home.
One of the great things about history is that it sort of isn't a done deal - ever. The historical texts and the historical evidence that you use is always somehow giving you different answers because you're asking it different questions.
Every American should be forced to live outside the United States for a year or two. Americans should be forced to see how ridiculous they appear to the rest of the world! They should listen to someone else's version of themselves--to anyone else's version! Every country knows more about America than Americans know about themselves! And Americans know absolutely nothing about any other country!
Maple butter spread on a tortilla is absolutely delightful.
[Albert] Camus always insisted that historical criteria and historical reasoning were not the only things to take into account, and that they weren't all powerful, that history could always be wrong about man. Today, this is how we are starting to think.
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