A Quote by Zhou Xun

Being an actress in China, Im actually a very lucky actress... Especially now that Chinese movies are becoming more diverse with more viewers overseas. — © Zhou Xun
Being an actress in China, Im actually a very lucky actress... Especially now that Chinese movies are becoming more diverse with more viewers overseas.
Being an actress in China, I'm actually a very lucky actress... Especially now that Chinese movies are becoming more diverse with more viewers overseas.
I loved every minute of working in wardrobe. But I love being an actress so much more. I don't think I was very good in costume, so it's better that I prefer being an actress.
Of course when I started, it's not because I was such a brilliant actress. I didn't know I was good. I thought I was really bad. I was very shy. I was 18 and dreaming of becoming an actress.
I had wanted to become an actress, but in Cane Fork where I come, from being an actress meant the movies and Kim Novak. So I didn't try.
The core for everything is to be grateful. It's literally as simple as that... I've always known that I'm lucky to be an actress, and I'm lucky to be a working actress. I'm lucky to have garnered attention for certain roles, and I'm grateful for it.
I became an actress because my mom wanted me to become an actress. It took me until my mid-30s to realize I actually didn’t. I actually wanted to write and direct and be more involved in politics and humanitarian issues.
I became an actress because my mom wanted me to become an actress. It took me until my mid-30s to realize I actually didn't. I actually wanted to write and direct and be more involved in politics and humanitarian issues.
I never really thought about being an actress or being anything like that. I was always a bit scared as well because of the thing about models becoming an actress and all that.
Im not the kind of actress that goes home with the character. I mean, youre thinking about the work or the next days scenes, but not staying in character. But as a film goes on, you become more and more fragile, emotionally. And physically too, actually.
I've been very lucky and been able to work, as an actress, but I'm definitely a working actress. I get a script, I audition, and then I pray.
An actress without talent, forty years old, ate a partridge for dinner, and I felt sorry for the partridge, for it occurred to me that in its life it had been more talented, more sensible, and more honest than the actress.
Once I realised that my job as a model was to emote in front of the camera, I thought, 'Well now, I just have to add words, and I can do films.' But also, my success as a model made me more confident about becoming an actress because, just in case I failed, I thought, 'Well, you know, if I failed as an actress, I can do another job.'
More than anything else, my mother wanted to be an actress - a famous actress - which in the 1950s was all about being young, sexy, and available. She was all that, and more. She had big blue eyes, alabaster skin, a heart-shaped face, a beautiful figure. She was just a knockout.
I kind of shy away from that idea of being an actress because it seems to me to be such a cliché. Also, if you want to be a serious actress, then it's quite difficult to make that transition without being the blond bimbo in the opening credits. Maybe I'm being idealistic about acting and the idea that they would hire people purely based on their talent and not on their looks. But I don't know if I would be a very talented actress anyway.
I think it's actually a misperception that I am a comedic actress. I do more drama than comedy but very little of it has been seen. When you are in big funny movies and they do well and your little part in it kind of explodes people perceive you as a comedian.
One thing we haven't mentioned is something everyone should understand very clearly. Look at the budget that was invested in 'Avatar': who in China has that kind of money to spend on making a movie? So we as Chinese filmmakers should work together to make Chinese movies that can compete as best we can for Chinese audiences, not make lousy movies, but make the best we can for that audience. Concentrate the money, the talent we have on making good movies [for China].
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