A Quote by Ziauddin Sardar

I have multiple identities. I'm British. I'm Pakistani. I'm a Muslim. I'm a writer. I'm a father. And each identity has rich overtones. So I must be careful to look at your identity, and that of others, in the same way.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
I'm a proud Londoner, a Brit, European, of Pakistani heritage, a Muslim - we all have multiple layers of identity - that's what makes us who we are.
Society imposes an identity on you because of the way you look. Your struggle as a self has to do with an identity being imposed on you that you know is not your identity.
I really didn't grow up religious, and I didn't grow up acknowledging my Muslim identity. For me, I was a British Pakistani.
For as long as you can remember, you have been a pleaser, depending on others to give you an identity. You need not look at that only in a negative way. You wanted to give your heart to others, and you did so quickly and easily. But now you are being asked to let go of all these self-made props and trust that God is enough for you. You must stop being a pleaser and reclaim your identity as a free self.
Each human being has his or her own sexual identity and should be able to exercise that identity without guilt as long as they do not force that sexual identity on others.
Your ethnic or sexual identity, what region of the country you're from, what your class is - those aspects of your identity are not the same as your aesthetic identity.
My being Muslim is only one part of my identity. But particularly in India and the world over, a concerted effort is being made to diminish all other aspects of identity and only take your religious identity as who you are.
My identity comprises of more than just my faith. I am a proud Muslim, but I am also a liberal, a Briton, a Pakistani, a Londoner, a father, a product of the globalised world who speaks English, Arabic and Urdu.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
I don't like identity. We accept identities in Israel. We make them holy. But what does identity really mean?
I see fashion as a proclamation or manifestation of identity, so, as long as identities are important, fashion will continue to be important. The link between fashion and identity begins to get real interesting, however, in the case of people who don't fall clearly into a culturally-recognized identity.
I don't have the panic I used to have, meeting people who are androgynous, but when you meet someone whose identity is unclear, that throws your own identity into flux because the way we treat each other is very gendered.
Identity is a concept of our age that should be used very carefully. All types of identities, ethnic, national, religious, sexual or whatever else, can become your prison after a while. The identity that you stand up for can enslave you and close you to the rest of the world.
Each nation has an identity and destiny. As far as Bharat is concerned, Hindu is its identity and religion is its way of working
All third world literature is about nation, that identity is the fundamental literary problem in the third world. The writer's identity is insecure because the nation's identity is not secure. The nation doesn't provide the third world writer with a secure identity, because the nation is colonized, it's oppressed, it's part of somebody else's empire.
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