A Quote by Zig Ziglar

You never work for somebody else. Someone else might sign your check, but you're the one who fills in the amount. — © Zig Ziglar
You never work for somebody else. Someone else might sign your check, but you're the one who fills in the amount.
I miss her. I don't know how to live without her. There is a hole inside me that nothing fills. If you don't find something to fill that hole, someone else will. And if someone else fills it, they own you. Forever. You'll never get yourself back.
When it comes right down to it, someone else may be signing your paycheck but you are the person who fills in the amount.
I think the worst part is that when you know you dream another person's dream, you can never truly feel at peace. Never truly trust yourself. If you carry around somebody else's nightmare, who knows what else your insides might hide or when it might come out?
When people ask if I have any advice for young designers, the best advice I could ever give to somebody is to work for someone else, when you are playing with someone else's money. It is very expensive when you start doing it on your own.
We are actors who show up for work in our sloppy gear, and we've got this extraordinary tailor. It's someone else who's done the design; someone else who's cut the suit; someone else who's measured it. Basically, your job is to just wear it.
I just don't like the separatism that comes from religion, and, without fail, the need to put your beliefs on someone else. When you start telling someone else how to live, you should check yourself, man.
Our thought should not merely be an answer to what someone else has just said. Or what someone else might have said. Our interior world must be more than an echo of the words of someone else. There is no point in being a moon to somebody else's sun, still less is there any justification for our being moons of one another, and hence darkness to one another, not one of us being a true sun.
That's because you've never been one. You haven't spent years wearing someone else's clothes, taking someone else's name, living in someone else's houses, and working someone else's job to fit in. And if you don't sell out, then you run away... proving you're the Gypsy they said you were all along.
Any musician - I would say 99% of musicians - needs some help along the way. Most people, even if they're self-produced, have someone else mix it, or they'll have someone else master the record. Inevitably, it's like somebody else's personality being put into your art.
I think when you're in the middle of a piece of work, there are things that bleed over into your life. You're spending a large portion of your day pretending to be somebody else, to tell somebody else's story.
It's easier to greenlight your own films when you're not surrounded by other people aspiring to make films. You have to work a little harder and rely more on yourself and your collaborators and the real relationships you have. There are so many hypotheticals that dominate the industry, and everyone's always waiting for someone else to tell them when to make a film and write a check and sign the talent.
I think of love as an action. Finding something that's outside of yourself, to serve someone else's soul, helping to ignite someone else's spirit, to bring about ease of heart and joy, serenity in somebody else.
One possible sign of low self-esteem is suppressing parts of yourself so you can fill someone else's expectations of what you should be. You try to fill someone else's (or your own) prescription of perfection, instead of being yourself and embracing your originality.
If you're going to tear down a hero, you should never forget that you're tearing down someone else's hero. You're tearing down somebody else's son. You might have to face her one day.
Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.
I always panic on the first day of work. You can do all the Stanislavsky-backstory homework, but when that moment arrives and you are in the clothes, hair, and makeup of somebody else, and you're saying the words created by somebody else - I never know how to do it. It's a complete mystery to me.
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