A Quote by Zig Ziglar

Obviously, raw talent is important, but the difference-maker between first and the rest of the pack is usually desire. — © Zig Ziglar
Obviously, raw talent is important, but the difference-maker between first and the rest of the pack is usually desire.
I say that being a smart writer doesn't make you a good writer. There's obviously a difference between talent and intelligence. And it may be that at some point intelligence begins to impinge on talent, or talent on intelligence.
Rest, rest, rest, rest, rest. Nutrition is obviously very important, but rest is equally important. At rest is when your body is trying to recover.
No two countries are identical, and obviously, there's a difference between a referendum on a very complex relationship between Great Britain and the rest of Europe, and a presidential election in the United States.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
Knowledge is the raw material of production and value in this age. It used to be that the main difference between people in our society was between those who have more and those who have less. Today, however, the difference is between those who know more and those who know less.
There is as much difference between a collection of mentally free citizens and a community molded by modern methods of propaganda as there is between a heap of raw materials and a battleship.
I speak not of men's creeds—they rest between Man and his Maker.
The Principle of Priority states (a) you must know the difference between what is urgent and what is important, and (b) you must do what’s important first.
This is a difference between us: you desire what other people have, while I desire the things I used to have, or think I might have one day.
There is the same difference between talent and genius that there is between a stone mason and a sculptor
Out of the thousand writers huffing and puffing through movieland there are scarcely fifty men and women of wit or talent. The rest of the fraternity is deadwood. Yet, in a curious way, there is not much difference between the product of a good writer and a bad one. They both have to toe the same mark.
We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the desire between us and the object of desire that fills the space in between with the blue of longing.
To win you must have talent and desire ­ but desire is first.
The difference between talent and genius is in the direction of the current: in genius, it is from within outward; in talent from without inward.
Even though there is obviously a marked stylistic difference between the majority of our catalog and a cover like 'The Sound Of Silence,' it certainly isn't the first time we've done an acoustic track.
The desire to go home that is a desire to be whole, to know where you are, to be the point of intersection of all the lines drawn through all the stars, to be the constellation-maker and the center of the world, that center called love. To awaken from sleep, to rest from awakening, to tame the animal, to let the soul go wild, to shelter in darkness and blaze with light, to cease to speak and be perfectly understood.
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