A Quote by Ziggy Marley

The roots of my music start from the ghetto. — © Ziggy Marley
The roots of my music start from the ghetto.
As hard as it is, as ghetto as it is, hip-hop is pop music. It's the sound of music getting out of the ghetto, while rock is looking for a ghetto.
If the Negro in the ghetto must eternally be fed by the hand that pushes him into the ghetto, he will never become strong enough to get out of the ghetto.
The blues are the roots and the other musics are the fruits. It's better keeping the roots alive, because it means better fruits from now on. The blues are the roots of all American music. As long as American music survives, so will the blues.
I went to this arts high school in Greenville, S.C. In speech class, the teacher, a white man, would say, 'You're talking ghetto. Don't talk ghetto.' I'm not only offended, but I'm confused because while there's nothing wrong with people who come from the projects or the ghetto, that's actually not my experience.
It's not like if I play in big places I won't be happy. But I don't want to start adapting to what's in style to make my music. I want to stay true to my roots, to keep making the music I love, that comes from my soul. And if there are people who want to listen to it, I'm happy.
'Be faithful to your roots' is the liberal version of 'Stay in your ghetto.'
My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil.
Dr. Dre I've always been a huge fan of. The Roots as well. The Roots gave me an appreciation for live music.
My African heritage is a part of reggae music roots, and the concept is that the album, 'Revelation Part 1: The Root of Life' is a tribute to roots reggae music. The fruit is what blossoms into different colors and shades, but the root has to stand predominant.
My fondest hope is that 'Roots' may start black, white, brown, red, yellow people digging back for their own roots. Man, that would make me feel 90 feet tall.
The ghetto music of my era is hip-hop. And Parliament, and Curtis Mayfield, and Marvin Gaye, that was all the ghetto stuff when I was a baby, and then when I was a teenager it was hip-hop and we were taking all those old '70s sounds and recreating them and putting them into a hip-hop format.
Richard Price, who has made a fortune writing fake ghetto books, says he takes a cab into the ghetto, transcribes Black speech for a brief time and returns home. His fake ghetto books have bought him a townhouse in Gramercy Park and home on Staten Island.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.
You leap over the wall of one ghetto and find yourself in another ghetto.
Ghetto isn't a place. Ghetto is more in the mind and how you feel about your life.
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