A Quote by Zilpha Keatley Snyder

Nothing's real unless you want it to be, and anything can be real if you want it to enough; so real doesn't really mean anything. — © Zilpha Keatley Snyder
Nothing's real unless you want it to be, and anything can be real if you want it to enough; so real doesn't really mean anything.
So my thing is we want come in and diffuse anything that's not real, anything that doesn't associate with real hip-hop. We want to be the one that says, 'Yo, we want to help build and build a bigger and better industry.' I'm just like, 'Yo, with talent from Toronto, Vancouver, Quebec. Who's paying attention?'
Anything, everything, can be learned if you can just get yourself in a little patch of real ground, real nature, real wood, real anything ? and just sit still and watch.
I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.
I'm not ambitious. I don't want to get anywhere, I don't want anything more. I sometimes think that for me that is the real freedom, that I don't want anything. I don't want money or prizes. I want people to know that a war is going to be fought.
You don't want to be mean to people, but some people are real assholes. And you can't say that on TV - or, you can, but probably, as a celebrity, I can't get away with it. Trust me. Unless you're somebody who can say anything they want, I guess, like Donald Trump.
No good book has ever been written that has in it symbols arrived at beforehand and stuck in. ... I tried to make a real old man, a real boy, a real sea and a real fish and real sharks. But if I made them good and true enough they would mean many things
The things that drive me are poverty, and pain, and knowing that I don't want to end up being alone and I want to do something with my life and I want the name Dobson to remain in everyone's heads. Basically, just to rock and be the best performer I can be, and be true, and be real, and give people the real Fefe, nothing fake, all real.
I've never been that person to fake it, and say what everyone else wants you to say. Then you never have anything personal. If I wanted to be an actress all the time, I could do that. But I don't. I want to be real. I want to be a real person. That's what an artist is. An artist has to be honest. Without honesty, there's nothing.
Real Madrid are Real Madrid, and any player would want to be at Real Madrid. Why would I want to leave Real Madrid? I wanted to play, nothing else.
Often people think they know what they want, but what they really want is something that's genuine. So they'll be saying, "Do another one like that," but you liked that one because it's real. So as long as I keep it real and I do something that's real to me, you're going to feel it in the same way.
Researching real people and doing them, I think, is harder than anything else. You don't want to do a caricature of them and you don't want to do an impression. You just want to do the best you can, in terms of presenting their views and a general impression of the guy. That's the hardest thing to do, real people.
The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.
You can do anything when it's not real. When it is real, nothing breaks your fall. Nothing gets between you and the ground.
Every kid will tell you that they want you to be real, but that's until you keep it real with them. Then they don't want it real.
I don’t abstract from anything.…I am involved with real space, the room itself, real light, and real surface.
Before the money or anything, number one, it was just to put out real music, real stuff with a passion, real art.
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