A Quote by Zinedine Zidane
My passion for the game comes from the city of Marseille itself. Unfortunately I can't go back there as much I want to because I play a lot here and abroad.
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Players want to play a lot of rugby. We're walking contradictions at times in that we want to play a lot of rugby, but we don't want to play too much rugby, and we want to be available for all the big games, yet there are times when you have to sacrifice that because of game limits.
I never felt the same passion for the game in the States and there were a lot of headaches, a lot of obstacles to overcome - it didn't just run itself for the love of the game because soccer is not the No. 1 sport as it is in Europe.
I do a lot of walking around in game parks, rain forests, places like that, but it's not like I'm camping in them as much as my day walks. I've done that all over the world, not like with a backpack on my back living out in the woods for several days. When I travel abroad, it's more the city that captures my interest.
The players don't play the position game as much as we used to play. A lot of young guys go up and down, shoot the puck, go for the rebounds. You're getting tired quicker because the body has to react where the puck is going to go. You cannot read it, because you don't have the puck on your stick.
It's tough, it's not the scenario that we wanted for sure. I thought our desperation was there, we worked hard, but it was one game, a lot can happen, they're a good team, and unfortunately we didn't win. We had some bad bounces, and in one game those make a big difference, and unfortunately it didn't go our way. But if we play hard like that, we play desperate like that and control the puck the way we did down low, I like our chances against any team.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
I want to play the Champions League with Marseille, but I want to know how much we are economically dependent on our project.
There's a lot of things that go into scoring touchdowns and leading your team. It's not just the game itself, but going back and studying tape to pick apart everything I did. It's nice to have something to go on, doing it full speed in a game situation.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
You try and work hard and get better each week. I play the game with passion. I enjoy the game. It's a lot of fun when I'm out there. That's the way I play. For some reason, people like that.
The literary game is the abyss of human society itself: interactive, playful and tragic. We can't live alone. For me, Robinson [Crusoe] is either a false myth or else he represents the denial of human society. We can't play by ourselves. In literature, it's even more complicated, because one has to play with an indeterminate number of players simultaneously and every game is different. The other player can abandon your game at any time...to go play chess.
Guys go through concussions sometimes that aren't as noticeable. But they know - the player knows - and they want to go back in the game. You want to play.
I don't just get bogged down in, 'I want to win.' There's something even greater than that. And that's the way that you play the game. I want to play beautiful football. That's our purpose: to go out and play the game at the highest level, play it the right way.
It is a game of chess with this city. We'll have to see how it is going to play out. The city goes back and forth trying to figure out what programs to cut and what they have funding for. What I would love to see is for the city to step up and run the rink 10 months out of the year so kids can play in the summer and we can have camps here in Glenwood.
I've spent most of my life in L.A. and I'm still amazed at things that I don't know about the place. There are a lot of places I've never been to yet and I may never even make it. There's so much here and there's so much of a variety in terms of culture now. It's amazing. It's all here in one big city. In a lot of ways, the city is unique in the world because it's hard to find another city that has the diversity and range. It's a microcosmic planet, if you look at it that way. And in that sense, it's very much an experimental city.
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
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