A Quote by Zoe Ball

I was a really camp child! In the 70s, an age of all these amazing musical subcultures, I was sitting in my living room singing to my dad's Streisand records. — © Zoe Ball
I was a really camp child! In the 70s, an age of all these amazing musical subcultures, I was sitting in my living room singing to my dad's Streisand records.
I have been taking voice and singing lessons since age 10 and originally got into it because I was really interested in musical theater. After writing my first couple of songs and performing at age 14, I knew that I really wanted to be a singer.
The first stage I preformed on were the stairs to the hallway in the living room. There was a really nice platform, and when people were sitting in the living room, it was kind of an elevated platform and we would put on shows and skits.
I still remember watching 'Antiques Roadshow' as a child with my parents, on a Sunday night, sitting in our 1970s living room.
Even when I was 3 or 4 years old, I'd go out riding in the car with mom and dad, and I already knew all the songs off mom's Hank Williams and George Jones records by heart. I remember just sitting in the back seat and singing them at the top of my lungs.
Just going to games from a young age with my dad, watching Tottenham as often as I could, celebrating in my front room, singing and enjoying it, so many fond memories from when I was a kid.
Change is inevitable with the evolution of technology. In the '70s, we had records. In the '80s, we had CDs, and now we are living in the digital age. You can say it's sad or unfortunate, but the reality is you've got to roll with the times and the technology.
We moved into the back, made it into a little 50s sitting room and started to sell the records. We had an immediate success. For one thing, these Teddy Boys were thrilled to buy the records.
The real amazing thing about all of this is I think I've maintained the mentality of a musician throughout it all, which I'm proudest of. And I'm still playing on people's records and singing on people's records.
When I was a kid, when I was 16, 17, I'd come home from high school, and my dad collected all of Barbra Streisand's records. And she was very young then. I think she probably had three records out, and she was 21, and we had them all. And I knew every single song, every breath, every elision, every swell. And I sang along to it.
So yeah, when I was a kid, when I was 16, 17, I'd come home from high school, and my dad collected all of Barbra Streisand's records. And she was very young then. I think she probably had three records out, and she was 21, and we had them all. And I knew every single song, every breath, every elision, every swell. And I sang along to it.
I've never wanted my kid faced with the idea of, 'Who's the fat guy sitting in the living room? What the hell is he doing?' I figure I might as well go to work so he can say his dad works.
I believe it was Nat King Cole that my dad took me to see, and we were sitting in the dressing room, and I blurted out to him, 'Why didn't you sing this?' Referring to whatever song I had wanted to hear, and he told me he was tired of singing it.
I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I was Danny Zuko in 'Grease,' and I was in the musical 'Sweet Charity' and then in the musical 'On the Twentieth Century.' They were great. I mean, singing isn't really my strong suit, but I just really enjoyed it.
I really didn't understand how I got from my singing teacher's living room to the Albert Hall.
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