A Quote by Zoe Bell
When I was on 'Xena,' I remember the sound guy and the director at some point being like, you have to make sounds when you fight, and I was like, what are you talking about? You're never going to use it. But they hounded me for a good couple of hours, and basically it was, you need to act, you can't just perform the moves.
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If I'm not directing it, I need to be right in the director's ear so we can be talking about this." You do something like use the wrong music, the tone's off, and everything feels off". And I was like, "I'm not going down with this one. I wrote it, but I don't like that play." Then I thought, "Well, no one's producing my stuff, letting me star in it, and direct it at these theaters, so I'll just do them in comedy clubs."
In 'Finding Nemo,' all of the voices were recorded separate - so I would be in a sound booth in a studio by myself reading the lines with just the director. Basically, you can just come in, and it doesn't matter what you are wearing or what you look like; it is all about how your voice sounds.
I feel like I can get any shot I want. That's not to sound cocky or conceited. It's because I've played basketball basically every day of my life. So at some point, I've taken just about every shot there is. I've figured out the angles, almost like a pool shark. I know where to use the glass, which dribble I need and which spot I want to reach.
I fought some guy who looked like Steven Seagal, some aikido guy or something. The fight's not even on my record, I don't remember his name. My dad was there at the fight and he said he blinked and he missed the fight, so I think I finished him fast or something. I forgot all about that fight.
You make it all sound so simple. Run your guts out...collapse at the finish, throw up, that makes a good runner. Sounds like you regret not being more like Prefontaine....Everyone gripes to me that American marathoners are 'lazy-no-good-for-nothings'. My point is, many people have criticisms, but few have valid answers. I'd like to know what happened to the guys that kicked my ass in high school.
There's two or three kids out there trying to make good music, and the rest of them sound like it's been strained through some kind of white toast or something. It all sounds just too neat and perfect, with no surprise to it at all. No story, no nothing. It's like building cars, like an assembly line. It doesn't sound like anything that came from a guitar.
A lot of people are like, "How are you going to re-do it?" I'm not worried about what people are going to say because you know people are gonna be like, "It doesn't sound like this... It sounds like this." I'm just going to make music that I know I'm supposed to make.
Xena, above all, remember your destiny. Remember it and fight, fight to come back. This world needs you. I need you.
I was like, wow, this guy's [Donald Trump ] going to do well. And I remember people laughed at me. People were like, oh, you silly ignorant person who's just come to this world. You clearly shouldn't be at "The Daily Show" 'cause you don't know what you're talking about. And I was like, but I don't know. He seems like he connects with people. I can relate to him as a performer. I can see what tools he's using. He's good at riffing. He's good at taking the crowd on a journey. I can see what he's doing.
I do experiment with lots of different genres. In making music, I don't think of genre like, "I want to do this, because I'm going use that country music sound; I'm going use that hip-hop sound; I'm going use that acoustic [sound]." It's just making music. So now that I've traveled a lot more since I did Acoustic Soul, I'm sure that different sounds will come into place, because I have been exposed to it and I like it. But it's not so much of a conscience effort. It's mind and spirited. You know, we're humans.
Many people say to me, particularly about my dance writing, 'It sounds just like you.' But it sounds just like me after I've made it sound like me.
It's like that Simpsons joke - they're filming a cow in a movie and they go, 'OK, we'll tape a bunch of cats together to make a cow', and it's like, 'Why don't you just use a cow?'. For some reason that is novel - like, 'Oh, my guitar sounds like a piano and now if I can just get my piano to sound like my guitar'.
I just loved jokes so much as a child. I remember wanting to perform at, like... age seven by reading from a kids' joke book, and my parents being like, 'That's not what standup comedy is,' and me being like, 'Not yet it isn't! I'm going to change the game.'
When you did the job, you thought you were just trying to amuse your friends who are all on the job. I'm just trying to make the sound guy laugh, the script supervisor. A movie like Caddyshack, I can walk on a golf course and some guy will be screaming entire scenes at me and expecting me to do it word for word with him. It's like, 'Fella, I did that once. I improvised that scene. I don't remember how it goes'. But I'm charmed by it. I'm not like, 'Hey, knock it off'. It's kind of cool.
I don't like to have a strategy going into a fight. If he has a good right hand or a good kick or good submissions then I'll try to avoid that, but I like to be in a fight and I like to go into the fight. Even in jiu-jitsu I didn't think of pulling this guy into guard or take him down because I like to go into the fight and see what happens.
Billie doesn't actually like recording sessions at all. We like making music together. She doesn't like going to some big studio and having them pretend to be a therapist for a couple hours. So by default, we always make the good stuff together.
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