A Quote by Zoe Bell

Having been a stunt girl for so long, a big part of my job, when being a stunt double, was to not just make the other person look as cool as they could, but also to act as support.
Having been a stunt girl for so long, a big part of my job was to not just make the other person look as cool as they could, but also to act as a support. My job was to make them as safe as they could be, so that they could be as explosive and as emotionally engaged as they could be.
Being a stunt girl is very much my comfort zone, so I had to remove the comfort zone to step fully into the slightly scarier zone. Also, just being perceived as an actor by the outside world, rather than as the stunt girl who does dialogue, has been a part of the challenge in front of me.
I have a stunt double. His name is Glen Levy, and he has the hardest punch in the world. Seriously - it's actually been recorded by National Geographic. He calls it the Hammer Fist. And he's my stunt double! He makes me look awesome.
It never occurred to me that being a stunt girl would get me recognized in any way, because the whole purpose of a stunt person is to not be known.
My boy, that was a TV show. I used a stunt double. I always use a stunt double. Except in love scenes. I insist on doing those myself.
Everybody has a stunt except me. Every single person has a stunt, but I don't have a stunt, there's nothing. No wire, no pulling. I try to get in on the danger, but there's nothing.
The thing about being on a long-running series is that you get to know all the stunt men and the stunt coordinators, and they let you pretty much do everything you want, as long as they trust you.
It's better to find a stunt person who can act. It's easier to do that than to find an actor who can do a stunt.
On 'Black Lightning' I have a stunt double who's a lot younger than me. The fighting style on the show is heavily martial arts-based, and I know boxing; I don't know martial arts. I also have a really bad knee, and he's been doing martial arts since he was 6 years old, so I'm not thinking, 'No, I can do that! I can make that look cool!'
When being a stunt double, my job has always a supportive role, which is interesting, really. Part of what I really like about it is making a situation where people can just come out of their shell and be super bad-ass. That's exciting!
I will do anything, and I do almost everything myself. But when there is something extra heinous to do, I have a great stunt double, Eddie Davenport, and a great stunt coordinator, Jeff Wolfe.
In my career as a double, a lot of my job is to not just do the fights to make them look cool, but also to appear as the same person as the actor I am playing.
The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you're exposed to all the disciplines, so it's always fun to combine the two ideas - a car chase and a fight scene - and make something more dynamic.
I'm an athlete; I've got an ego when stunt doubles have to come in. Not an ego like that, but when it comes to physical stuff, if I didn't have to have a stunt double, I would always probably do it myself unless the producers were jumping in and stopping me.
You do your own stunts as an actor, and you end up getting hurt. It's not your job. You've got stunt guys. Stunt guys make a lot of money.
I have to give props to my stunt double, who is the real deal and gets to do all the fun stuff and make me look good.
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