A Quote by Zoe Buckman

I don't like putting the female form behind glass or on a wall, further objectifying it as much as art does. — © Zoe Buckman
I don't like putting the female form behind glass or on a wall, further objectifying it as much as art does.
There are certain conceptual powers in this project, like the relationship of glass to sand, and the idea of putting glass back into the earth, which is where it comes from, which are related to the whole concept of I Am. So there's that one below-surface idea, and then there's these other practical and more pragmatic ideas about how the light functions and the geometry and mathematics behind the reverberation of light from the surface outward.
You can't reinvent the wheel. I remember when we first started out at 'Late Night,' we were trying to hire directors, and this guy was like, 'I see you behind a glass desk.' I don't. And he's like, 'Yeah, the glass desk.' I go, 'I don't really see me as a glass desk guy.'
As tradition, the female element clings to the old art and opposes anything new - precisely because each new art moves further away from the natural appearance of things.
Prose is an art form, movies and acting in general are art forms, so is music, painting, graphics, sculpture, and so on. Some might even consider classic games like chess to be an art form. Video games use elements of all of these to create something new. Why wouldn't video games be an art form?
I like to start off my day with a glass of champagne...I like to wind it up with a glass of champagne, too. To be frank, I also like a glass or two in between. It may not be the universal medicine for every disease, as my friends in Reims and Epernay so often tell me, but it does you less harm than any other liquid.
I do remember once going to Salzburg in Austria. Liverpool were playing a European game there, and they put me in a box behind glass. I hate being behind glass; I always want to feel part of the action.
I couldn't wait to be an adult woman, and I'm glad I felt that way as a kid because, when I grew up, I realised I live in a world where the female form is really disrespected, and society is often trying to wrestle the female form into a shape that looks more like a young boy.
If you consider film an art form, as some people do, then the Western would be a truly American art form, much as jazz is.
Adventure does not exist. It exists only in the mind of the man who pursues it, and as soon as his fingers graze it, it vanishes to appear much further off, in another form, at the limits of the imagination.
Perhaps... I mean there are people who defend that it as an art. I don't. I like it but it's not an art form as far as I'm concerned, and yet it's a similar thing, once you can't land those jumps, you're disqualified - that precludes it from ever becoming a serious art form.
turns me on so loud it's like no sound, everybody yelling at me hands over their ears from behind a glass wall, faces working around in talk circles but no sound from the mouths. my sound soaks up all other sound.
I guess the glass ceiling is in the West. For us, it's the glass wall.
I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary.
I struggle with the idea of comparing people's work and art. The notion of giving awards or putting a competitive spin on something that is a relative art form is sort of odd to me.
In our absence, the violet early evening light pours in the bay window, filling the still room like water poured into a glass. The glass is delicate. The thin, tight surface of the liquid light trembles. But it does not break. Time does not pass. Not yet.
The Standard in Hollywood, when you check in, they have that sort of Area-like vignette behind the front desk with someone sleeping behind glass. An actual person.
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