A Quote by Zoe Buckman

When I became older and started to become more in tune with my political leanings, there was a disconnect between the feminist in me and the hip hop side of me, and I don't know if, in some way, those influences are also present in Tupac's work.
I'd like to see people pay attention to the science of hip hop. The knowledge part, the political side of what hip hop could do, or where hip hop is gonna go. I always say it's gonna become universal as we become a galactic union.
I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen.
I wouldn't compare my sound on the mixtape to anything, but my influences are like - the minimal amount of hip-hop that I actually do know - because I didn't grow up listening to hip-hop like that. No one really put me on to hip-hop like that... My dad's from Jamaica and my mom is from Barbados, so that's really the stuff I grew up listening to.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
When I started writing poetry, it was always in very hip-hop influenced spaces: Someone would teach a Nas song side-by-side with a Gwendolyn Brooks poem, and we'd talk about the connections between those things.
Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous.
When hip-hop was new and raw, it was all about being an MC. You wanted to be respected as a lyricist. But as the years passed and hip-hop became big business, hip-hop became like country, rock and pop. And so you now have people who write the songs for rappers.
I'm a hip-hop head, but hip-hop actually introduced me to other genres of music because I started to wonder where a lot of these samples came from. So I fell in love with Bobby Womack or Willie Hutch because I wanted to know where those samples came from.
I listen to all those kinds of music, from classic soul to hip-hop to Brazilian music to, you know, jazz to indie to alternative... And for me, when I'm making music, it's all in my head, and all those influences in my head. So if something comes to me that's a reference from a different genre then people are used to hearing from me, I'm not afraid to go there with it.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
I do hip-hop music, and I've gotten famous off of hip-hop music, and I know that I'm successful, and I've created my own definition of success, what success means to me. So the hip-hop world is all just really fake to me.
Some artists are definitely trying to do different styles. Some, not a lot. But even from what you've seen [of] Outkast, Kanye West, and Lil' Wayne, and different people expressing their way of evolving in hip-hop. In the evolution of hip-hop, they're doing different things. And you've seen hip-hop have more of a global presence and impact on the world.
Even though hip-hop started as a battle format, different artists appeared on each other's records or hung out in the same clubs, supporting each other. That was a profound influence. Also, hip-hop, to me, represents limitless possibility. Hip-hop is always evolving. People say, "Oh, it's a very commercial thing, it's too R&B." But in six months, a record is gonna come out that will completely change that.
I would like to encourage hip hop artists to invite those of us who are in the queer spaces in, so we can have those conversations. I love hip hop. If you bring me in the studio, I know how to act. And we can talk about what's not cool because, clearly, there's still homophobia that penetrates in all these areas.
I think, for me, personally, I try to be sensitive to issues as I learn about them. And I also try to constantly become not only a certain type of person but also become more in tune to the issues I'm covering. As I get older, I think that things just affect me more.
Hip-hop started with street poets with great lyrical skills, and that's what hip-hop has always been about for me.
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