A Quote by Zoe Kazan
Half the fun is getting to play dress-up and imagine what it's like to be this other person. If you're not excited about a part where you get to use your imagination, then what's the point in doing it? It'll be just another job. Also, Director Michael Pressman and I see eye-to-eye with Marie.
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If you close one eye and imagine a bright light constantly in front of the other eye, your vision is compromised. You can only see about 30 percent of what you should be able to see.
If you cannot imagine with the mind's eye much more than you can see with the mortal eye, you have a very poor imagination indeed.
If you can channel the best part of you that is bigger than yourself, where it’s not about your ego and not about getting ahead, then you can have fun and you aren’t jealous of others. You see other people's talent as another branch of your own. You can keep it rooted in joy. Life is long and there are plenty of opportunities to make mistakes. The point of it all is to learn.
When you're shooting a low-budget movie you're never just the director: you're also in the catering department, and hair and make-up and a part-time grip. I can't even imagine the luxury of not having to keep an eye on every aspect of production while directing.
Thus the creationist's favourite question "What is the use of half an eye?" Actually, this is a lightweight question, a doddle to answer. Half an eye is just 1 per cent better than 49 per cent of an eye.
Words are substance strange. Speak one and the air ripples into another's ears. Write one and the eye laps it up. But the sense transmutes, and the spoken word winds through the ear's labyrinth into a sense that is no longer the nerve's realm. The written word unfolds behind the eye into the world, world's image, and the imagination sees as the eye cannot see-thoughtfully.
Most people enter into relationships with an eye toward what they can get out of them, rather than what they can put into them. The purpose of a relationship is to decide what part of yourself you'd like to see "show up," not what part of another you can capture and hold. The purpose of a relationship is not to have another who might complete you; but to have another with whom you might share your completeness.
I can act with either eye, but you've got to be twice as good as an actor to act with one eye. You need to put all your emotions just through one eye and really punch it out of that eye. I found it quite difficult to do at first, and then I found a technique that allowed me to act with one eye, which I patented.
I decided about a year ago, and I just feel like I want to see more personal style in people, and I feel like if I'm going to be out there in the public eye, they should see who I am and how I dress, and I feel like it, also.
I forget that he is another person; instead it feels like he is another part of me, just as essential as a heart or an eye or an arm.
None of the chase scenes that I did had any opticals. We had to do all of that physically. The first thing you have to do is see it in your mind's eye. You have to envision it. Imagine someone knitting a sweater or a scarf. They either have a pattern in front of them, or they see a pattern in their mind's eye. Then it's one stitch at a time. That's what shooting a chase is like.
The loveliest face in all the world will not please you if you see it suddenly eye to eye, at a distance of half an inch from your own.
'Ornithologists concluded that migratory birds take hundreds of naps as they fly; they also practice unilateral eye closure, in which one eye closes, thereby permitting half the brain to sleep.' Is this what happens when photographers close one eye to look through a viewfinder? If so, they might be operating with only half a brain. Perhaps that explains.
Just because you have a disagreement with your friends or family members does not mean there are not plenty of other areas on which you see eye to eye. It just means you have a difference of opinion.
Where the eye is focused, there the imagination finds its raw material. The right focus must be won at immense cost and discipline. Train the eye to see the good, and the imagination will follow suit.
You are not your body; you are the eye. When you see the spirit, you are free of the body. A human being is an eye – the rest is just flesh and bones. Whatever your eye sees, you are that.
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