A Quote by Zoe Kazan
I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women. I'd been thinking about what I would want to do with that if I was going to write on that theme, and one morning I woke up and Calvin and Ruby Sparks were in my head.
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I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women.
As both an essayist and science fiction and fantasy novelist, I write about and for the future. I talk about the past to remind us that what we believe has always been true - that men and women are somehow static categories, or that men in power has always been the default, or that same-sex love affairs were always taboo - has not always been thus.
Many people say to me, "I saw [Miral] and it really stayed with me. I woke up the next day and really thought about it, and have been thinking about it for awhile." That was my goal.
Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. [...] You're judging yourself, you know, thinking about your listener. You're not thinking about what you're saying. And that same thing happens when you write.
Naturally my stories are about women - I'm a woman. I don't know what the term is for men who write mostly about men. I'm not always sure what is meant by "feminist." In the beginning I used to say, well, of course I'm a feminist. But if it means that I follow a kind of feminist theory, or know anything about it, then I'm not. I think I'm a feminist as far as thinking that the experience of women is important. That is really the basis of feminism.
I would say I'm basically interested in human beings, and I don't really care whether they're men or women. I think my comprehension is about the same for both.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
People just didn't write songs that were so directly emotional in those days. They still don't. Part of Hank's [Williams] thing was that he was opening up about relationships between men and women in ways that nobody else did, and I think that's something that made him stand out so much. His songs are just so straightforward about these really deep feelings that are universal, but they're so hard to write about without sounding sappy or over the top. You think of men in that era - they didn't express themselves that way.
I think there is a major difference between actors and actresses. All of the men I've worked with have been really difficult, whereas the women have always been extremely cooperative. I began thinking about that, and I think it comes down to a question of comfort with vanity.
In Hollywood most of the films we see are all about the relationships between lovers, but as massively important as that is in someone's life, my relationships with women have always been really dramatic and powerful.
I've always thought feminism had a lot to say about both genders, as it is hard to talk about one without the other. I think men and women alike would benefit from men having a more fluid idea of what being a man is.
That's what's always been such a curious thing to me about feminism. They never lost any power. However, when you start talking about this particular area of our population, you're talking about the politicized nature of our country where feminism dominates and all heterosexual men want women. And all men realize you've got to do certain things. If you want to get a woman who happens to be a feminist, then you better do and say, be certain things. Men have gone crazy trying to be what they think women want them to be, and that's men in Washington, gone crazy.
I learned a tremendous amount about what was important to me as a head coach in that I was not in charge. I didn't have final say about what was going on, and I was always having to represent other people's views, and it was very difficult to be real, to be authentic, to be true because there were a number of people who had say about what was going on.
What I don't like about teaching is hearing myself say the same thing. I mean, you just want to sort of shoot yourself after a while. But you don't have a million different ways of thinking about what you have been thinking about for many years. And then there's the truism that you're only as good as your students. If they're not into what's going on, it doesn't matter who you are.
I carried this problem around in my head basically the whole time. I would wake up with it first thing in the morning, I would be thinking about it all day, and I would be thinking about it when I went to sleep. Without distraction I would have the same thing going round and round in my mind.
I always want to write erotic music... Not only about the love between men and women, but in a much more universal sense - about the sensuality of the mechanism of the universe... about life.
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