A Quote by Zoe Kazan

Lena Dunham or Miranda July, those people are sort of thinking about their work in a slightly different way than I do, where their whole body is a seed of what they're creating. I can't imagine watching Miranda's movies with anybody else playing her role, she's so integral. But for me, it feels more like every story is really individual. If I thought of something else, or thought it should be my body representing it, I'd fold my body into it. But most of the time I'm writing to get something out of my body.
Was there another life she was meant to be living? At times she felt a keen certainty that there was ? a phantom life, taunting her from just out of reach. A sense would come over her while she was drawing or walking, and once while she was dancing slow and close with Kaz, that she was supposed to be doing something else with her hands, with her legs, with her body. Something else. Something else. Something else.
It felt really radically uncomfortable. And I was really not sure at first about releasing that body of work. But then the more I thought about it, the more I thought that that position, that location, is something that's just sort of interesting in its own right, as an experience, as a process. Again, we're talking about this rubric, this set of rules, this grid that I toss on top of different locations globally. This is what came out of Africa.
My body cheerfully informed me that he felt really good pressed against me like that, all hard muscles and smooth contours and ominous bulges. My body liked the air of barely leashed strength and caged mayhem he was giving off. My body thought he smelled really good, like heat and coffee and electricity. My body was going to get me killed.
It's very important for me to really use this body as a barometer of a certain kind of knowledge--to take the personal risk of exposing my own body in a certain kind of way. I can't ask anybody else to do something that I don't do first myself.
For so long, it was just my secret. It burned inside me, and I felt like I was carrying something important, something that made me who I was and made me different from everybody else. I took it with me everywhere, and there was never a moment when I wasn't aware of it. It was like I was totally awake, like I could feel every nerve ending in my body. Sometimes my skin would almost hurt from the force of it, that's how strong it was. Like my whole body was buzzing or something. I felt almost, I don't know, noble, like a medieval knight or something, carrying this secret love around with me.
Most of the time, it just sat there in my body, until the weekend. After five or six takes of crying, your body does not want to cry anybody. Your body is like, "I'm over this, can we start laughing, or something?," but you have to keep the emotion. It's a really weird process and it definitely just stays with you.
The body, like everything else in life, is a mirror of our inner thoughts and beliefs. Every cell within your body responds to every single thought you think and every word you speak.
You have no ambition, I well know. Your wishes are all moderate.' 'As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy, but like every body else it must be in my own way. Greatness will not make me so.
I've thought about my relationship to my body, my body dysmorphia, and what that means as someone who's like, 'Oh, I'm going to be on camera.' Sometimes it makes my body dysmorphia worse, but I've also tried to not let my mental illness rob the joy of getting to do something I've always wanted to do.
When I was on the chubbier side, I thought that whatever God and whatever my body told me to be at that time, that's what it was. I'd say I grew more of an understanding about my body probably around my senior year in high school. I understood my body physically as an athlete.
No one compares to you. Just remember that. There's no one out there - there's only one of you, and that's it. And whatever you believe about you that's great, no one else has it. And I can't look like you, there's no way I can slip into your body and be you, and you can't slip into my body and be me. This is all we're gonna get.
Whatever girl you are, every girl needs a really killer peg skirt in her closet. I don't care who you are. If you're the bohemian and you're wearing your big boyfriend sweater you need a peg skirt to reclaim your body. If you were the movie star, you might wear that with the push up tank like we have in the spring collection. It's all about body, body body. If you're the power player you put a jacket over that and work it that way. That item is for every girl, and every boy appreciated her in it.
I woke up one day and thought: I want to write a book about the history of my body. I could justify talking about my mother because it was in her body that my body began.
I woke up one day and thought: 'I want to write a book about the history of my body.' I could justify talking about my mother because it was in her body that my body began.
Much is being missed because of fear. We are too attached to the body and we go on creating more and more fear because of that attachment. The body is going to die, the body is part of death, the body is death - but you are beyond the body. You are not the body; you are the bodiless. Remember it. Realize it. Awaken yourself to this truth - that you are beyond the body. You are the witness, the seer.
I do belive in fate. It's hard to accept that it's maybe not possible to change anything and I don't really like the thought of not having free will. I like thinking myself as an individual human being who can decide what he wants, but I think it's fascinating and interesting to think about if you have free will or not. Maybe your body decides something for you, your body is hungry and you decide to eat something, so is it free will or not? You don't know.
This site uses cookies to ensure you get the best experience. More info...
Got it!