A Quote by Zoe Kazan
On a personal level, just for me in my own work, I would say the most interesting thing has been getting to work with the people that I've worked with.
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That is what I seek, to essay interesting and challenging characters, which develop me as an actor and at a personal level to work with people who inspire me to push my boundaries and work on interesting scripts which which turn into refined work of art and leave a mark on me and the audience.
I've never worked hands-on with a producer. I've been on my own writing, just taking beats and doing what I have to do. I've been on my own. To have Timbaland invite me in and say that 'I want to work with you' is amazing. He's a legend.
I think music can define our lives. It's interesting when we meet our heroes; sometimes they really let us down, and sometimes we realize that they're just other human beings like us, with the same drama and fears and everything else going into their lives. I've worked with lots of people at different stages of their careers - going up, going down. Some people I've worked with I would never want to work with again, and some people would probably say they never want to work with me again. But all in all, it was definitely cool.
It would be nice if everybody who had something interesting to say about my work could say it politely and civilly, but it doesn't work that way... Sometimes people are just really nasty.
I would work until I got stuck, and I would put it down and pick up something else. I might be able to take a 20-minute nap and get to work again. That way, I was able to work about 10 hours a day... It was important to me to work every day. I managed to work on Christmas day, just to be able to say I worked 365 days a year.
The thing that was interesting to me about Relationshapes - as opposed to most of the other cartoons I've ever made - was I knew when one worked and when one didn't work, but I couldn't really explain it.
'Bruce Lee' didn't work, and there were apprehensions about what the fans might say. People might have commented that Charan could have waited for some time before selecting me again. But that's what makes it a real achievement to me. People want to work with me because of the comfort level; nobody would work with you again otherwise.
People with a high level of personal mastery are able to consistently realize the results that matter most deeply to them-in effect, they approach their life as an artist would approach a work of art. The do that by becoming committed to their own lifelong learning.
I think a person who takes a job in order to live - that is to say, for the money - has turned himself into a slave. Work begins when you don't like what you're doing. There's a wise saying: make your hobby your source of income. Then there's no such thing as work, and there's no such thing as getting tired. That's been my own experience. I did just what I wanted to do. It takes a little courage at first, because who the hell wants you to do just what you want to do; they've all got lots of plans for you. But you can make it happen.
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.
I work just as much as I always worked. And I can't explain the fact that there have been a series of books coming rather regularly out of me. I work most days and if you work most days and you get at least a page done a day, then at the end of the year you have 365. So the pages accumulate and then I publish the books.
Being called a 'music legend' is a very funny thing. It's nice to know that my work has been appreciated and that people have given me that status. On a personal level, however, I can't think about it too much. It means a lot... but then it doesn't.
I've been fortunate to work with good directors who understand improvisation and understand the way comedians work. Luke Basan let me do my thing like do what you feel and take the character to another level. Quentin Tarrantino was more of an acting coach. He can teach you beats and then hell say go with it but give this feeling. So I've been fortunate to work with good, seasoned directors.
First, at a certain point, I wanted to have my own magazine, but I never could. Why? Because I am not commercial enough. The people who would have been able to give me my own magazine, they were not insulting me, but they would simply say, "It wouldn't work for you." And that was a big disappointment to me.
I would still work with Mel Gibson! He's talented, man! Come on, he came up with 'Apocalypto,' man! I want to work with this guy. I've worked with Steven Seagal. He's out of his mind. I mean, I've worked with Spike Lee for four films. I've worked with some people that you can say are right there teetering between genius and madness.
Sometimes things aren't a dream because you don't really think it's a possibility. So my goal on a daily basis is just to go to work and be someone that people like to be around. I just want to work hard and be nice to people, and I feel like when you touch people in that way, on a more personal level, then they go to work the next day pushing for you. And that's when an opportunity comes that you wouldn't have even expected otherwise.
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