A Quote by Zoe Kazan
You know, it only happens a handful of times in your career, where you walk out of an audition feeling like all the stars aligned, my preparation paid off, something magical happened in the room. I've gotten really lucky and I've gotten to work a lot, and I would say it's only happened, like, two or three times, where I've walked out and been like, This was the right thing and the right choice and they should just cast me.
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I just said, you know, this is a great track but this lyric, I don't believe it. It sounds like I'm trying to say something, instead of it naturally coming out of me, like I was saying something that I already knew. Anyway, I can't remember what it was. And either I threw it all out or I threw 90 percent of it out, and kept a line or two. That's happened a couple of times to me. Not too often, but a couple of times. Very aggravating when it does happen.
I remember the few times that happened to me in writing, where you basically start writing and you look at the clock and six hours have gone by and you're, like, "Whoa! What the hell just happened?" And that piece ends up in the final product even though the final product is three years away. It doesn't get rewritten. It came out the right way. But that's happened to me so few times in my life.
I've been getting publishing royalties and stuff like that. I have just been lucky. They come in at the right time. Sometimes they don't, but I am not wealthy or anything like that. I just love to work. I would rather work three hundred and something days out of the year. I would rather be working. They don't know. I love playing. Then I can really get my music together.
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends. That sometimes is the only bad thing, is that I work with bands that I already know. That's not really the best thing in the world because I should always be keeping my eyes out on other things.
There were a lot of days when I thought maybe this isn't what I should be doing. There've been a lot of days where you get to the point where you're like, "I don't know if I've got the will to even do this." It's the type of game that doesn't let you walk away so that's what happened, I just kept coming back to it until something really happened for me.
I would say a magical thing happened on when the big 40th birthday came. I felt like a light kind of just went off, and maybe that's because I felt like at 40 I had the right to say and be who I wanted to be, say what I wanted to say, and accept what I didn't want to accept.
When you win a race like this the feeling is very, very good. There have been times when I have been flat-out to finish sixth, but you can't see that from the outside. In 1980 I finished three or four times in seventh place. I pushed like mad, yet everyone was gathered around the winner and they were thinking that I was just trundling around. But that's motor racing. So in fact the only thing you can judge in this sport is the long term. You can judge a career or a season, but not one race.
I'm a producer at heart. I like being in the control room and directing people. That's what I do. But I've gotten on the mic a few times in my career; people seem to like it, so I'll do it again here and there. But that's really not my thing.
As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."
There's not millions of dollars riding behind something - so I think a lot of people took chances on me and cast me in roles in Chicago that I never would have gotten cast in possibly if I had come to New York right away. I got to be the not-your-typical-choice for a role.
...it's like this white-Indian thing has gotten out of control. And the thing with the blacks and the Mexicans. Everybody blaming everybody...I don't know what happened. I can't explain it all. Just look around at the world. Look at this country. Things just aren't like they used to be.' 'Son, things have never been like what you think they used to be.
I don't really hang out with people. I like to be by myself. In fact, I've been arrested a few times because I like to walk around at two or three in the morning, looking at shop windows. The cops take me to the station and fingerprint me. But I wouldn't call that hanging out.
Most people have a kind of survivor bias about luck. When something wonderful happens - when preparation meets opportunity, with excellent results - we think: 'How lucky!' But we don't usually acknowledge all the times when things just... fizzle out. All the times when preparation comes to nothing.
I feel like my career has always been a series of collisions and accidents. Being in the right place at the right time. Having the right haircut. It's so mad to think that it happened in the way that it happened.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
I work a lot, and I prepare a lot. I think that's really important when you live in LA, to go the extra mile for whatever it is that you're trying to achieve. You realize out here that when you stop moving so fast, it's a lot harder than you thought. A lot of hard work has to go into your career, and preparation, and being your best at all times. I think you just have to always present yourself at your best, and you just need to be prepared all the time. Looking good, and feeling good, and being positive, and being in the right set of mind to accept whatever comes your way.
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