A Quote by Zoe Kazan

Writing-wise, I like to have a lot of things on the burners at once, because when I hit a wall, I like to move on to the thing I haven't hit a wall on. — © Zoe Kazan
Writing-wise, I like to have a lot of things on the burners at once, because when I hit a wall, I like to move on to the thing I haven't hit a wall on.
Like a lot of films at the end of 2008, they hit a wall with financing, which is why I moved back onto 'Stone.' In doing so, I had to let go of 'The Beautiful and the Damned,' to at least give them an opportunity to move forward with somebody else.
Everybody used to be busy writing songs - great songs - that became hits. Now everybody's writing hits. Everybody's desperately writing a hit because they know they can't survive if they don't have a hit. Where in the past, we were writing a song like 'More Than Words' on a porch, not really believing it was gonna be a hit.
Anytime you hit a curve, or you hit on the side of the wall, you hit against the side of the sled. We're taking four to five, sometimes six or seven Gs on our body every time we go down the track. And then the crashing.
Architecture appears for the first time when the sunlight hits a wall. The sunlight did not know what it was before it hit a wall.
I don't think you can ever really prepare yourself for something to hit like Bridgerton' did, because there's not many things that hit like that.
That Monaco crash was quite a big one - I pulled 33g when I hit the wall, which is a lot. It's a weird sensation - like all my skin and flesh was being pulled off my bones.
Wall-to-wall coverage of the political intrigue in Washington focuses on which Capitol Hill players won the daily news cycle, with barely any reference to the communities and lives where politicians' decisions actually hit home.
A lot of rookies hit the wall after 50 or 60 games.
I think once 'Empire' hit, there was a lot of bad black TV that followed, because we work in the business of hit-seekers and copycats, so they're like, 'Oh this is a show about black people; this is about music, OK let's do a version of that.' And, of course, it doesn't work because it's not organic.
A wall is a very big weapon. It's one of the nastiest things you can hit someone with.
As a dancer I had worked with really hard choreographers, Jerome Robbins being the toughest. And you learned what it is to hit against a brick wall. And you learned pretty quickly to go around the wall or say, "I can't take this job."
A lot of the times, reality shows don't like people to break the fourth wall. With a docu-series or a documentary, everyone breaks the fourth wall because you're talking to the camera quite a bit.
There is an endorphin rush that comes when you puke. It's kind of like a runners wall. Once you cross that wall, once you cross that party wall and you puke, you do get a rush. There are good chemicals there. And also, you've made more room in your gut, in your stomach, in your gullet for more content, whether it be fluids or foods.
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
No man can control Wall Street. Wall Street is like the ocean. No man can govern it. It is too vast. Wall Street is full of eddies and currents. The thing to do is to watch them, to exercise a little common sense, and … to come out on top.
As a woman, I have access to hit women in a way that men might not be able to hit them with jokes. I don't mean physically hit. But you know, because I'm a woman, I can say things about women because I know what it's like to be a woman, if that makes any sense.
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