A Quote by Zoe Kazan

I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures. — © Zoe Kazan
I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
I feel I can rush the passer well. I feel like I can play the run even better than what I did starting off to when I got in my senior year as far as making plays in the backfield and just being able to break down film a lot better.
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
. . usually, the biggest problems of adapting plays into screenplays is that they stick too close to the play, and I think film is a completely different medium. I think a novel is much closer to a film.
When I was a kid I really liked the guitarist of The Doors [Robby Krieger]. He plays blues, but he plays a lot of melodic things. He plays scales that are kind of unusual, and some bent notes.
I'm ready for all forms of dialogue about the film The Conquest. There will be a lot of political talk, but I don't think the film itself will be scandalous. For the French, there are so many emotions relating to Sarkozy and politicians in general that I think the film will generate a lot of passion, whether it be negative or positive. Above all, it's a fictional film. It was important not to make a documentary and to really pay attention to the images. From the choice of the actors to the mise en scene, the film is completely cinematographic. It's not just a boring political movie.
I do have some theatrical background. I've written plays and seen plays and read plays. But I also read novels. One thing I don't read is screenplays.
I fell in love with acting, just going to a lot of plays. My parents went to a lot of plays, and I went to a lot of schools that would get plays for kids.
When I was a kid my father would read Neil Simon plays with me when I was going to bed, as bedtime stories. All of these old plays like The Odd Couple and Lost in Yonkers - funny but corny plays about Jewish New Yorkers in the mid-20th century.
We have always found it easier, and still do, when the opponent plays football as well, when they don't just think in defensive terms, don't just sit inside their penalty box. It's just nicer when the opponent plays football.
It's funny how that comes up, because sometimes I'll write something and I'll think, I don't know if that's a film or a play, and then other things I feel very strongly about them just being plays - they feel very theatrical to me.
All of my plays have puzzled some people, and I'm happy to say delighted a few, but a lot of people have just not seen how quite to look at them. And this film... if you like my writing, you'll like this film. If you don't, you won't like the film. It's pretty faithful to - it's a pretty uncompromising presentation of my way of seeing things, I suppose.
'Sholay' can be given so many interpretations. I have seen this film so many times since the time I was a kid that I think that there could be 50 lovely interpretations to this film. Different filmmakers can give it so many interpretations, as it's a lovely film.
For many playwrights, they write the plays anyway because they've got to be, the work has been started, it's got to be finished, but we all long, I think, to see the plays fleshed out on stage and I'm exactly like that. Yes, I'm not satisfied until I actually see it on stage.
There weren't many plays for me. A lot of my stats came off broken plays, or when I didn't allow the options to play out and just took the shot.
I would like to do more film scoring, period. Whether it is a big film, a small film, or just anything. I feel like I have a lot to learn, and what better way to do it than on the job?
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
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