A Quote by Zoe Kravitz

When you're making an independent film and you care about it so much you do all the prep work beforehand. — © Zoe Kravitz
When you're making an independent film and you care about it so much you do all the prep work beforehand.
You prep, you prep, you prep. And on the day that you film, you let all of that go. I try to achieve emptiness as much as possible - the Zen thing - to let the deal come out of that nothing.
There was a golden era in film-making in Hollywood back in the 1970s, and although there is some great independent film-making in America, it's actually very hard to get independent films made in the United States. It's much more feasible from Europe.
I know for a fact that if I could do only music, I'd be out of my mind, insane. I'd be stressed-out; there's so much work. I mean, you work constantly; there are no breaks, really. If you're not promoting a record, you're making one. If you're not making one, you're touring. If you're not touring, you're doing photo shoots and prep work.
Making an independent documentary film is so hard that usually, the usual model is that your film becomes a model for advocacy, so you can enlist that support group and get as much juice out of your film as possible. That's just practically, financially, what you need to do.
There's plenty of great independent films to do, but you can't support yourself making independent film as an actress.
Theres plenty of great independent films to do, but you cant support yourself making independent film as an actress.
In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
When you're making an independent film, it's like this actor plus this actor equals this funding, this financing. Pull this actor out, this actor is still here but this money's gone. It's this frightening puzzle mosaic that is the world of independent film.
There have been innumerable films about film-making, but Otto e Mezzo was a film about the processes of thinking about making a film -- certainly the most enjoyable part of any cinema creation.
With 'Toy Story,' which is a fantastic film but is essentially animation, you get to make all your decisions beforehand. 'Jumanji' is shot much like any other action film.
What I care about is making money. What I care about is making waves. What I care about is going down as one of, if not, the greatest professional wrestlers to have ever lived.
When you're younger you don't care so much, but as you get older you have a family and stuff like that. But I've always kept my foot in theatre and I've kept my foot in independent film, so I'm really happy going back and forth. So, if I can't find the meaty roles in studio films, then I'll go back and dig up a little independent where I can flex my muscles a little bit.
At Netflix, we think you have to build a sense of responsibility where people care about the enterprise. Hard work, like long hours at the office, doesn't matter as much to us. We care about great work.
Serious writers pretend they don't care about film adaptations of their work, but it's a colossal lie: We all care.
I don't care half so much about making money as I do about making my point, and coming out ahead.
I think you get out of film school what you put into it. If you don't care about making movies, film school will do you no good.
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