A Quote by Zoe Kravitz

For me, whenever I would see a lot of 'black films,' I didn't feel represented in it. I didn't feel connected to the characters or the situations or the humor. — © Zoe Kravitz
For me, whenever I would see a lot of 'black films,' I didn't feel represented in it. I didn't feel connected to the characters or the situations or the humor.
I wanted to make sure the focus [in The Land] was on human beings themselves and their decisions, but still connected to the urban environment that people associate as being black. I think I was able to make a film without commenting on "black this or black that" and you still feel the presence of it. There's no one character who's saying "we're all black and we're all in this struggle." It's that you just feel it. Some of that is because we get the sense from a lot of independent films that black people struggle all the time.
What I feel now is connected to people. I feel connected and I feel a lot of love for people. I feel the possibility of what building social movements and what working together in struggle creates. Whatever that energy is, it feels a lot better than what I felt when I was younger - which was worthless and disconnected and isolated and alone.
Home is not fixed - the feeling of home changes as you change. There are places that used to feel like home that don't feel like home anymore. Like, I would go back to Rome to see my parents, and I would feel at home then. But if my parents were not in Rome, which is my city where I was born, I would not feel at home. It's connected to people. It's connected to a person I love.
If I write about something that I've experienced and somebody goes, "Oh my God, I feel the exact same way," then both of us are connected, and when you feel connected to people, you feel understood. You feel a sense of purpose.
A lot of people are in much tougher situations than me and I am very fortunate to be where I am, so I try to remember that and stay humble whenever things feel tough.
I want to feel that my characters evolved into a place that they deserved, that was sometimes unexpected, but where I would feel satiated that logically they have come to a conclusion that makes me feel satisfied.
I enjoy creating and developing characters, as well as situations. But I have always had more ideas than I can ever put down on paper and fantasy allows me to include a lot of what I feel.
My mother didn't let me see color films. I saw a lot of black-and-white films. The first time I saw Basil Rathbone, I was completely taken. To me, that was the epitome of great acting, was Basil Rathbone - not only in Sherlock Holmes, but the Sheriff of Nottingham, and all the terrible characters he had to play alongside Errol Flynn.
As a kid, I couldn't articulate it but I sought out things that could. At first it was horror films - extreme panic and terror, grotesque and maniacal. These films calmed me and made me feel more connected in my experiences.
I want to play characters that people relate to, characters that make different kinds of women in society feel represented.
Whenever I used to watch Hollywood films, I used to feel, when would Tollywood make such films?
One thing we would talk about with my therapist is, "Well, you could feel bad about this, but you don't have to. You could be angry about this situation that you can't control or not." It really helped me with a lot of situations and helped me feel more at peace.
People often ask me if I feel discriminated against as a black female director. I don't. I'm actually offered a ton of stuff. But I only want to direct what I write. And I prefer to focus on black female characters. What's most important to me is to put characters up onscreen who are not perfect, but who are human and flawed.
Seeing yourself reflected on screen is a very important part of being human. It makes us feel less alone, it make us feel more connected to humanity. Women, gay men, and trans people for a long time have not seen themselves represented, so being able to show the complexities that we all have - just as complex stories as a heterosexual white male - is crucial for us to feel more human and have other people see us as human beings.
The black experience for me has been very interesting. Some days, I wake up, and I feel really black. Some days, I'm like, 'This is me. I'm black. Black Lives Matter. Black pride. Look at my cocoa skin.' I just feel it's my being.
I think a lot of acting is about the removal of self-consciousness. The actor is going to be in front of a lot of people, and will naturally feel self-conscious. So a lot of the preparation for that is the removal of that idea. Like you embody or are connected to this character, therefore you can present this character in a way that eventually, when you come back to see it, you feel not exactly ashamed of.
This site uses cookies to ensure you get the best experience. More info...
Got it!