A Quote by Zoe Kravitz

That's definitely something I've experienced my whole life - people thinking one thing and then discovering that I'm not, hopefully. So I relate to having to fight that and claim my own identity, when people are trying to throw different ones at me.
I've always been a freak and different, oddball even in my childhood and my own family, so I can relate to people who are struggling and trying to find their true identity. I do not sit in the seat of judgment. .. I love people for who they are. We're all God's children.
People say I am stuck in childhood, but it's not that. I remember seeing a Matisse retrospective, and you could see he started out one way, and then he tried something different, and then he seemed to spend his whole life trying to get back to the first thing.
I'm not big on trying to label it [my rap] or trying to prove people otherwise. I'm just making records that I like and that I wanna make. I'm just making records that relate to me and that relate to my life. If you listen to what I'm saying I'm not talking about anything that isn't my life. I take pride in having truthful lyrics.
This patriotic revolution where people want to find their own identity are not racist but want to fight for the preservation of their own people. Their own country, their own values. Their own money. Their own borders. This is such a positive thing.
Yes, to me that's one of the most compelling fears in film noir and the psychological thriller genre - that fear of conspiracy. It's definitely something that I have a fear of - not being in control of your own life. I think that's something people can relate to, and those genres are most successful when they derive the material from genuine fears that people have.
One of the things, and the most exciting, actually definitely the most exciting thing is, having children. You know, I didn't have children before. I had been married only a year before my space station mission, so having three-year-olds is a whole new experience and that's the new adventure. It may sound funny because people have kids every day, but having your own kids, having my own kids, was as fundamentally, or maybe even more fundamentally life changing then even flying in space.
We're thinking about printing the lyrics with the next record so that people can find their own meaning in them. But then they would start having a life of their own, and I think the Portishead music should stay a whole in which the lyrics come second, actually.
Growing up, I always loved working with people. I love playing with people and having that moment of discovering something different. I believe in the magic of what music is.
All over the world today people have a very strong desire to find a sense of identity, and at the same time that's coupled with the rise of absolutely absurd wars that relate to ethnic identity. Perhaps there is something deeply ingrained in people that relates to a sense of belonging, and without that, identity doesn't seem as real as it should.
I have my own identity ... The whole Michael thing does drive me nuts sometimes because people won't leave it alone. He's bald, I have hair. He's almost 40, I'm 22. Seriously though, I wish people would let it be and let me just be Kobe.
I'm trying to make something every time that feels new and surprises people. Hopefully at least one person. But it's not like I turn it off. I don't make a movie and then go back to my normal life. When I'm finishing one movie the next day I'm thinking about the next one.
It was really hard coming to terms with the Nazi history. Then in my twenties I was traveling to Germany. There was a lot of poetry activity and some of my first readings abroad and trying to relate with people my own age there and what they were discovering and learning had to examine in terms of their backgrounds. Then so many of my friends had family who had either perished in the holocaust or survived in the holocaust. It was very palpable.
In wrestling there are so many people inside and outside the ring, and it's so live, and it's this whole adrenaline thing. Whereas you move it into this more intimate thing, everything gets all quiet, someone says action, and you have to say the lines and make the words your own. It couldn't be any more different and it's weird sometimes trying to explain that to people. When I tell people that acting is much more terrifying to me than going out in front of ten thousand people, they don't quite believe it because for some reason that intimacy is just terrifying to me.
Yet I'm sure there's something more to be read in a man. People dare not -- they dare not turn the page. The laws of mimicry -- I call them the laws of fear. People are afraid to find themselves alone, and don't find themselves at all. I hate this moral agoraphobia -- it's the worst kind of cowardice. You can't create something without being alone. But who's trying to create here? What seems different in yourself: that's the one rare thing you possess, the one thing which gives each of us his worth; and that's just what we try to suppress. We imitate. And we claim to love life.
Different people in different parts of the world can be thinking the same thoughts at the same time. It's an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.
I feel like 'Travelers' is something I can legitimately say, 'You're going to love this.' I think then people will accept me as a different thing. And if they don't, it's fun trying.
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