A Quote by Zoe Kravitz

I've stayed away from doing 'urban film' because I just don't relate to the characters. I'm not going to take a role because I happen to have the same skin color. — © Zoe Kravitz
I've stayed away from doing 'urban film' because I just don't relate to the characters. I'm not going to take a role because I happen to have the same skin color.
I'm playing my first urban character in 'Thirudan Police.' It's an important film because I'll be breaking the stereotype that I'm only fit for rural characters with this role.
When I was a kid, we said that we were precluded from going to certain neighborhoods because of the color of our skin Now the neighborhoods are the neighborhoods of ideas, youre not supposed to be there because of the color of your skin.
I'm obviously nervous and excited to take on this opportunity but I don't feel added pressure being the first black Bachelorette, because to me I'm just a black woman trying to find love. Yes, I'm doing on this huge stage, but again my journey of love isn't any different just because my skin color is.
You can rely on your team to do their jobs, but you have to carry the torch and do anything you need to, not just to shoot and finish, but to get the film seen. You have to know within yourself that you're going to have to take this. Don't sit back and think other people in your team are going to make it happen now because you've done your part. You have to carry that torch, and no one is going to care as much as you do, and nobody is going to live with it as long as you are because it's your film.
I'm picky about skin care because I hate perfumes or anything that says 'It will take away all the lines on your face.' I don't want to do that. But I do use Kiehl's and this skin cream called Restorsea because it makes my skin look nice and feel soft.
I've spent a great deal of my life doing independent film, and that is partly because the subject matter interests me and partly because that is the basis of the film industry. That's where the film-makers come from, it's where they start and sometimes its where they should have stayed.
Music itself is going to become like running water or electricity. So it's like, just take advantage of these last few years because none of this is ever going to happen again. You'd better be prepared for doing a lot of touring because that's really the only unique situation that's going to be left.
Because we're becoming such an urban nation, we're going to need to be producing so much more food in cities. These institutions have members, obviously. They have the resources to start projects like urban farms and gardens, teaching tools, and the ability to educate their members so that they can then go home and start their own urban gardens. I just really think that faith-based institutions can take the lead in creating community-based food systems, and I'd really like to see that happen.
I stayed because it was normal. After the first hit, you don't think they're going to do it again. And it does escalate, but I stayed because it became normal. I didn't call the police because I didn't want them to go to jail and it just was normal.
If you're the person living closest to the parent who's going to need help, and you take on the whole role of primary caregiver, you can be pretty sure your sibling who lives farthest away is going to call you and say, 'You don't know what you're doing.' Because they're not on the spot, and they probably feel guilty.
Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can't do that because you sort of know what's going to happen. Because you're the character.
It was a fun film. I had a great time doing it. I was looking for a role just like that for my first movie role. I didn't want to have a starring role, because I wanted a chance to learn. I didn't want the whole thing riding on me.
I start writing with only the vaguest idea about who my characters are and what is going to happen, and the characters and plot come into existence as I go. I've tried doing it the other way, but for me, outlining is a waste of time because I never follow the outline.
That's another great thing about Think Like a Man picture. The cast is predominantly African-American, but color is never really an issue in the film. It's rarely brought up since, at the end of the day, these guys are going through universal relationship issues that anybody can relate to. So, while the characters like "The non-committer," "The Player," and "The Dreamer" might be recognizable as common stereotypes, color isn't involved.
There was a period when I stopped talking so much, because I was just going through certain things. I just did the gigs and just stayed in, tried to stay away.
When you're doing a film and the majority of the film is cast black, for me, it's most important to get people to view those movies as just movies, as just good movies. At the end of the day, regardless of the color of the cast, we're all doing the same thing in this business: trying to make a good film.
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