A Quote by Zoe Perry
When I was younger, I was living in that green room and accompanying them to all the different theaters that they worked at. So, that has always remained a nostalgic place for me and also one of great admiration. I was just so grateful that that passion they have for theater translated to me, because I always loved seeing it.
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I just loved him and he loved me... He was a most humble man, the most decent man I've ever met in my life and he always looked for the best in people to find positives and he said something to me that always remained with me. He said if you believe in the fatherhood of God you must necessarily believe in the brotherhood of man, it follows necessarily and even though I left the church and was not religious, that truth remained with me.
I'm an East Coast guy and always will be. But I'm always going to find my way back to Green Bay whether I'm living here or not. Green Bay is a great place. Green Bay is awesome.
The theater itself is so archaic and old fashioned, that it doesn't really matter to me whether it's on Avenue D or at the Helen Hayes Theater. What's the difference? It's still a very nostalgic form. Also, it means you're knowingly walking into a room where there's actors. I feel it's very embarrassing. Because, you know, they're right there. You always think like, they can see you, and I think it's mortifying, frankly, and I hate to sit near the front, where you feel they actually might see you. It's too ... it's too live.
I've always acknowledged my debt to Hammer. I've always said I'm very grateful to them. They gave me this great opportunity, made me a well-known face all over the world for which I am profoundly grateful.
I've always acknowledged my debt to Hammer. I've always said I'm very grateful to them. They gave me this great opportunity, made me a well known face all over the world for which I am profoundly grateful.
I've always been a sci-fi geek, and I've always loved it. It's my favorite genre of all. The irony of ironies is that, in my early career, I just really never worked in it. "Star Trek" was very interested in me, partially because I did "From the Earth to the Moon," and I was really interested in them, but the timing just never worked out.
I was rather shaken by all the green trees. I always am. It gets me. I don't want to be funny about it but I am. I loved seeing all the westerns, but I had asthma and couldn't go anywhere, but I loved watching them in Technicolor and seeing the cowboys and the landscapes of Monument Valley and you'd see the forests of the Anthony Mann films and think, 'wow, that's fantastic', but I could never go there!
I was always casting about for role models as a kid and the Star Trek was always available via reruns and also full of possibilities. I wanted to be like Spock because he was unflappable. I wanted to be like Kirk because he had magnetism and the ladies loved him. Bones was a grouch but he was sympathetic. The show worked like a boy band in that way... it had characters who embodied different psychic or emotional positions and that allowed me to see a great range of things.
I come from theater, originally, and I've worked in many theaters where you make no money, whatsoever. If you got 3,000 people to see your production, it was great. So, I'm always about the work and I always want to strive for making the best story possible. I don't get hung up on trying to compare myself.
My uncle Les Dolliver was a partner with the Nasser brothers, who owned a string of theaters in San Francisco, and also supplied motion picture projectors and seats for theaters. So I was always around theater people.
My mind was always very cluttered, so I took great pains to simplify my environment, because if my environment were half as cluttered as my mind, I wouldn't be able to make it from room to room. This system has just worked for me, even though I've had to sweat over every word. It's just my style.
My mother loved fashion and always had a great aesthetic. But she also considered the cost of it, with the kids, that it wasn't something to allow herself. It also probably nourished my passion and my will to make fashion, because I've always felt that, because of having a big family to take care of, she sacrificed a bit of her femininity.
I always date younger men. For some reason that's just the way it's gone, because younger guys have always asked me out and I accept.
We[ Papa Roach ]'re always trying to get bigger and bigger. It's weird because I wasn't around when they sold millions of records. Now it's just always about "OK what new people can we get to." We're trying to package up with younger bands like Bring Me the Horizon or Of Mice and Men. Those bands always get talked about, because their demographic is so young. But, actually we are seeing a lot of younger people at shows which is awesome.
I have always gone to nature, since I was a kid. I was brought up in the woods, I did not have lots of friends, so I spent lot of time alone. My mother always loved to live in the forest; she loved gardens, birds and nature and taught me a deep respect for that. She taught me about growing food and vegetables and to take care of animals. They also have feelings. So nature was always something sacred for me, the place I can go, meditate and pray. It's like a church in the nature for me.
It couldn't interest me less, the idea of putting a living room on stage. I just think, what's the point of walking into a theater to see a living room? A sofa in a forest? Now you're talking.
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