A Quote by Zoe Perry
When you talk to people in retrospect, they always say the casting was a no-brainer, but nothing really is. You have to have so many things line up. I'm very grateful that it worked out.
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Switzerland felt incredibly narrow, growing up. It was good, in a way. There were so many museums. But it was always a no-brainer that I would have to leave, and I'm grateful for that.
When I was growing up, my mother was always a friend to my siblings and me (in addition to being all the other things a mom is), and I was always grateful for that because I knew she was someone I could talk to and joke with, and argue with and that nothing would ever harm that friendship.
I was definitely prepared for it to be slower, and it has not worked out that way in any shape or form. I'm grateful as a comedian, and slightly demoralized, occasionally, as a human being - those two things are always very different.
I'm more likely to not invite someone back for not talking. If someone talks a lot, I can usually shut them up and control them. But with people who don't talk, if they don't really want to talk, they probably shouldn't be on this show, and that's fine. They're talented people with things to say, but sometimes people say what they have to say through other means than arguing.
There are so many things that we have to be grateful for. It gets so easy to get caught up with one thing that, you know, isn't perfect or not going the way you thought it would, but we always need to be grateful for what we have.
There aren't as many roles for people who look like me, and it was always complicated when it came to casting my parents. But now I couldn't be more grateful that I have a different look.
I did so many interviews and auditions for films, and it was just zilch. Nothing I did impressed anybody! I could just feel it. It was always, 'Okay, thank you, Mr. Lloyd.' Then, out of the blue, 'Cuckoo's Nest' came to cast. A casting director who sent me up for different things over the years sent me up for that, and it just clicked.
I think the time in between albums, as much as it was not anticipated, it was much-needed, and very helpful, very useful. I've done nothing but hone my craft, and get better, and learn, and gather information in the process. So I'm grateful for it in retrospect.
People would say, 'Boy, I really loved you in Ferris Bueller," and it would really aggravate me. I thought I was a one-trick pony, and people had seen the trick. Now that things have worked out and I've gone on to other things, I'm really pleased that people enjoy it.
It was a very, very intense and long casting process [for The Killing] because we really had to find the right people who could carry the weight of this story, who had the chops and who had the spirit, where they could bring in so much of their own selves to these characters. So, the casting process took many months.
Growing up, I was always the only black kid on my team and (sometimes) I'd get questions from my friends when I'd say, `I want to be in the NHL' and they'd say, `Well, there are no black people or not very many in the NHL' and as a kid, you'd wonder why. But overall, I didn't really face any racial difficulties. Nothing too bad or too lasting.
In one of my songs, I say fame is nothing more than loving someone. So I'm grateful every day that there's so many fans of people out there that love my music and feel they're connected to me through that.
There's always people out there that's like, doubting me, you know what I mean? Even though I do embrace the people that embrace me and I'm grateful for them. But I always feel like, man, there's still people out there that's not giving it up. And I feel like I'm doing everything the right way, you know what I mean? I'm really going out of my way to do it the right way. I'm taking very few cheats - very few cheat codes that I'm using.
There have been a lot of roles and scripts that have come my way but nothing that really inspired me or intrigued me like when "Burlesque" showed up at my door. Just the whole concept of burlesque, I've always been fascinated with it. I've always collected so many books about burlesque. I've been intrigued by the time that it's set in, in the 20's, 30's, 40's and so I knew it was a no brainer for me to be a part of once I met with the team.
I got into acting because nothing else worked. I have done literally everything. I have sold magazines door-to-door. I've worked on an assembly line in a factory, a restaurant, the desk at a hotel. I've worked in statistical typing, taught school. You name it, I tried it, and nothing worked.
One of the things I'm going to say out there is how grateful I am - and how grateful the world is - for the tremendous gift of the black people, of jazz.
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