A Quote by Zoe Quinn

In terms of client & press requests, I operate under the assumption that anything I say will be blasted out in public, so I measure my words incredibly carefully because of the scrutiny I'm under.
I didn't set out to attack Facebook. Facebook has just been incredibly uncooperative. It hasn't respected the role of the media and scrutiny and embraced this scrutiny and worked to improve itself.
This is a massive crisis for the press, and the degree now that the press revs up its scrutiny and its opposition to Donald Trump, as opposed to being neutral and fair to Donald Trump - they will compound their own problem, because Republicans don't trust them, independents largely don't trust them, and the press risks just being credible to only one party in America.
Nobody should force you to do a bad piece of work in your whole life - no client, no creative director, nobody. The job isn't to please the client; the job is to produce something for the client that makes them incredibly successful.
The assumption that rigidly rejecting words and phrases that have existed for centuries will have much impact on public attitudes is rather dubious.
If our life is poured out in useless words, we will never hear anything, never become anything, and in the end, because we have said everything before we had anything to say, we shall be left speechless at the moment of our greatest decision.
Thoughtful criticism and close scrutiny of all government officials by the press and the public are an important part of our democratic society.
I've been criticized because I've had the temerity to speak out and done a couple of interviews since I left office. I don't find anything surprising about that. I don't say - I've been careful not to get personal in terms of my criticisms for my comment, but I think the issues are simply too important for the future of the nation for us to operate as though those of us who disagree somehow shouldn't speak out and be heard. I think we need to be heard.
It's harder to do anything in the public eye now, in terms of if you're worried about scrutiny or being judged negatively. It's not as much of a free ride. If you're someone who's making film or TV or music, or any kind of art form now, there's a billion outlets, and they all have an opinion.
Our Republic and its press will rise or fall together," Pulitzer wrote. "An able, disinterested, public-spirited press, with trained intelligence to know the right and courage to do it, can preserve that public virtue without which popular government is a sham and a mockery. A cynical, mercenary, demagogic press will produce in time a people as base as itself. The power to mould the future of the Republic will be in the hands of the journalists of future generations.
I will never be able to say what is in my heart because words fail us, because it is in our nature to protect, because there are times when what is public and what is private must be discerned.
Mandatory auditor rotation is designed to address a potential conflict of interest between a public company and its auditor. Because an auditor is hired and paid by the public company it audits, the auditor's desire to maintain a good relationship with its client could conflict with its duty to rigorously question the client's financial statements.
Once you've said it, you can't put it back. So choose your words carefully in heated moments in personal relationships. Anything you say, people have feelings. If you're thinking something, you keep thinking it and it just sort of slides out, it's gonna happen.
Government works best under the glare of public scrutiny. Absent such scrutiny, abuses occur.
I think that designers have an incredibly broad creative repertoire. They solve. They create images of perfection for any number of clients. I could never do that. I'm my client. That's the difference between an artist and a designer; it's a client relationship.
The artist must operate on the assumption that the public consists in the highest order of individual; that he is civilized, cultured, and highly sensitive both to emotional and intellectual contexts. And while the whole public most certainly does not consist in that sort of individual, still the tendency of art is to create such a public - to lift the level of perceptivity, to increase and enrich the average individual's store of values... I believe that it is in a certain devotion to concepts of truth that we discover values.
I say to a lot of people you have to measure success in terms of progress, not in terms of end state.
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