A Quote by Zoe Quinn

Vertigo's always been a label that experiments with new stuff and forms of subversion. — © Zoe Quinn
Vertigo's always been a label that experiments with new stuff and forms of subversion.
Even such an obvious idea as to observe an animal with vertigo or to rotate an animal did not occur to him, in spite of the fact that he conducted numerous vertigo experiments with human subjects and made frequent use of animal experiments.
To solve a problem is to create new problems, new knowledge immediately reveals new areas of ignorance, and the need for new experiments. At least, in the field of fast reactions, the experiments do not take very long to perform.
Again, I want to give credit where credit is due to our voice director, Collette Sunderman, who is someone that works out an incredible juggling act. I refer to it as juggling cats with vertigo, and the cats don't have vertigo, but the juggler has vertigo.
Magic Realism is not new. The label's new, the specific Latin American form of it is new, its modern popularity is new, but it's been around as long as literature has been around.
I tend to keep my mind open to the different forms of art out there and I am always willing to try new stuff.
The [peppered-moth] experiments show the effects of predation on the survival of the dark and of the normal forms of the Peppered Moth in a clean environment and in one polluted by smoke. The experiments beautifully demonstrate natural selection--or survival of the fittest--in action, but they do not show evolution in progress, for however the population may alter in their content of light, intermediate or dark forms, all the moths remain from beginning to end Biston Betularia.
There is a case for saying that the creation of new aesthetic forms has been the most fundamentally productive of all forms of human activity. Whoever creates new artistic conventions has found methods of interchange between people about matters which were incommunicable before. The capacity to do this has been the basis of the whole of human history.
The camera has always been a magic wand for me, giving me access to places where I could try new experiments.
Since childhood, I've been a fan of mysteries - 'Nancy Drew' lovers unite! - but 'Vertigo' struck me as an entirely new take on the genre.
Science emerges from the other progressive activities of man to the extent that new concepts arise from experiments and observations, and that the new concepts in turn lead to further experiments and observations.
Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.
In the midst of all these innumerable forms of a common protest and universal ill-ease there has grown up one definite body of doctrine whose adherents are called Communists and who desired the total subversion of what had been, hitherto unquestioned among civilized European men, the general doctrines of property and individual freedom.
I think anyone who's willing to be brutally honest with who they are and express themselves is always going to get the oddball label, the pyscho label, the twisted label. That's what happens.
I think it's science and physics are just starting to learn from all these experiments. These experiments have been carried out hundreds and hundreds of times in all sorts of ways that no physicist really questions the end point. I think that these experiments are very clearly telling us that consciousness is limitless and the ultimate reality.
Sometimes 'Portlandia' can be pretty traditional. But the stuff I've always loved on 'SNL' has always been the weirdest stuff I've done. The stuff that went on at 10 to 1 in the morning.
I have vertigo. Vertigo makes it feel like the floor is pitching up and down. Things seem to be spinning. It's like standing on the deck of a ship in really high seas.
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