A Quote by Zoe Saldana
Britney's a very beautiful human being. After I worked with her, I realized that there was a reason why she was the most popular pop artist over so many other pop artists at that time who were more talented, had better voices. And it was because of her heart, her soulShe had the most amazing energy and was always positive and a very discreet person. We were young, too, and got to make a movie about three friends on a road trip. It was so much fun!
Quote Topics
About
After
Always
Amazing
Artist
Artists
Beautiful
Because
Being
Better
Britney
Discreet
Energy
Friends
Fun
Got
Had
Heart
Her
Human
Human Being
I Realized
Make
Many
More
Most
Most Amazing
Movie
Much
Other
Over
Person
Pop
Pop Art
Popular
Positive
Realized
Reason
Reason Why
Road
Road Trip
She
So Much Fun
Talented
Three
Three Friends
Time
Too
Trip
Very
Very Beautiful
Voices
Were
Why
Worked
Young
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There was another reason [she] took her books whenever they went away. They were her home when she was somewhere strange. They were familiar voices, friends that never quarreled with her, clever, powerful friends -- daring and knowledgeable, tried and tested adventurers who had traveled far and wide. Her books cheered her up when she was sad and kept her from being bored.
I've had a reoccurring dream about hanging out with Britney Spears, so maybe it would be fun to chill with her for a bit? Like, see what makes her tick. I had this dream once about Britney, that we were going to get married or something, and so I had to meet her parents but we were stuck on a beach in these sand dunes - and at this point between the dreams and self-portrait, you know way too much about me.
From the first time he'd met her, he'd sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people's art and ideas.
She liked being reminded of butterflies. She remembered being six or seven and crying over the fates of the butterflies in her yard after learning that they lived for only a few days. Her mother had comforted her and told her not to be sad for the butterflies, that just because their lives were short didn't mean they were tragic. Watching them flying in the warm sun among the daisies in their garden, her mother had said to her, see, they have a beautiful life. Alice liked remembering that.
But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.
She realized how many of her beliefs were either unrealistic or belonged to her deceased parents and her ex-husband. She also realized that her expectations for herself and others were sometimes too rigid. She was trying to live up to what everyone else said was best for her, which made her depressed and hard to be around at times. Once she changed her beliefs about herself and others, she began to smile more and enjoy life.
Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional.
She was like me in lineaments-- her eyes Her hair, her features, all, to the very tone Even of her voice, they said were like to mine; But soften'd all, and temper'd into beauty; She had the same lone thoughts and wanderings, The quest of hidden knowledge, and a mind To comprehend the universe: nor these Alone, but with them gentler powers than mine, Pity, and smiles, and tears-- which I had not; And tenderness-- but that I had for her; Humility-- and that I never had. Her faults were mine-- her virtues were her own-- I loved her, and destroy'd her!
I was in the South of France, in Saint-Tropez and I met her when it was totally unexpected. I was very lucky because she was the most beautiful woman in the world at the time. I photographed her very quickly, she was not easy as a model, but her beauty transcended anything I had seen before.
Occasionally, on screen, Barbara [Stanwyck] had a wary, watchful quality about her that I've noticed in other people who had bad childhoods; they tend to keep an eye on life because they don't think it can be trusted. After her mother was killed by a streetcar, she had been raised in Brooklyn by her sisters, and from things she said, I believe she had been abused as a child. She had lived an entirely different life than mine, that's for sure, which is one reason I found her so fascinating. I think her early life was one reason she had such authenticity as an actress, and as a person.
They'd had fun, for sure. They laughed and enjoyed being together. But if she was painfully honest with herself, something was missing. Something in the way Tim looked at her. She remembered her mom's word. "I saw the way he looked at you...he adores you." Maybe that was it. Tim looked at her on a surface level. He smiled and seemed happy to see her. But When Cody looked at her, there were no layers left, nothing her didn't reveal, nothing he couldn't see. He didn't really look at her so much as he looked into her. To the deepest, most real places in her heart and soul.
Now very much against her will, she thought of the way Jace had looked at her then, the blaze of faith in his eyes, his belief in her. He had always thought she was strong. He had showed it in everything he did, in every look and every touch. Simon had faith in her too, yet when he'd held her, it had been as if she were something fragile, something made of delicate glass. But Jace had held her with all the strength he had, never wondering if she could take it--he'd known she was as strong has he was.
The Flapper awoke from her lethargy of sub-deb-ism, bobbed her hair, put on her choicest pair of earrings and a great deal of audacity and rouge and went into the battle. She flirted because it was fun to flirt and wore a one-piece bathing suit because she had a good figure she was conscious that the things she did were the things she had always wanted to do. Mothers disapproved of their sons taking the Flapper to dances, to teas, to swim and most of all to heart.
I think the relationship [in Aquarius] with her nephew shows that she's not nostalgic. She just wants to preserve what is important to her - her records, her books, even some furniture. She doesn't want to leave that house because it is her home. That is where her kids were born. After moving so much in my life, I was touched by Clara's need to stay in that apartment. I love her life, and that may be why I connected to her so strongly. We are the most alike when we are fighting for our rights.
I first heard Laura Branigan sing live in my brother Nesuhi's apartment, where we had gone because he had a very good piano. I immediately realized that she had a great pop voice, in the classical sense. Laura had an instinctive feel for music and melody, and her delivery was sensational. Everybody at Atlantic knew that we had a winner in this young lady, and she came through with great hits that will be remembered for many years to come. I consider Laura to be one of my best signings, and I am proud to have had such a great singer in my career in the record business. We miss her dearly.
My grandma Ricky - that's where I got classic look from. She was the most stylish person ever. She had her own clothing store and even her furniture was stylish. I got my "Flashy, but classy" motto from her, too. Whenever she walked in the room, she was always the most stylish person in the room.
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