A Quote by Zoe Saldana
Every time an adult is going to write something for a teenager and you don't have, physically, a person who is that, you are always going to be a little off.
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If I'm going to do something a little bit more adult, I'll do it if it's going to be on at a different time slot or if it's going to be something that kids won't be able to get their hands on.
If I'm going to do something a little bit more adult, I'll do it if it's going to be on at a different time slot or if it's going to be something that kids won't be able to get their hands on
At the end of the day, not everyone's going to like what you do. There's always going to be that one person, or many people, who are going to keep on nagging at you and picking on every little thing that you do.
When people asked me what I was going to do when I grow up, I always said, 'I'm going to be a writer. I'm going to write screenplays. I'm going to write books. I'm going to write plays. That's what I'm going to do.'
Every teenager feels like a freak. It's part of being a teenager, part of the individuation from child to adult - those teenage years are who am I? What am I? Where am I going?
It's maybe every third person now (who calls out 'Norm!' when they see me). It used to be every other person. It's faded a bit, but not too much. They're always going to remember me that way. I decided a long time ago that if I'm going to let this make me crazy, I'm going to be certifiable, so I just roll with it.
I'm the type of person who is always going to be somewhat dissatisfied with myself. I'm never going to be smart enough. I'm never going to be a good enough father and husband. I'm never going to be a good enough actor for myself. I just never will be, and I have to get comfortable with waking up every day and trying to move some little increment closer to the person I have always dreamed of being. This is the journey.
The movie is usually, for me, something organic that grows all the time. I sit home and write it, and I'm in an isolated, four-walled environment, and I don't know what's going on. I just write it, and it's appearing in my head in some idealized way where every single moment works, and every little thing is perfect, because it's in my head.
Every time I try to write a song, when I sit down and think I'm going to write, I really want to write a song, and it never works out. It's always when it hits me unexpectedly on a plane or right before I go to bed, something like that.
As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.
Every time you show something to somebody they're going in one direction, when they see that thing you did they're going to go off track - maybe towards a direction that you think is more important. They'll be more discerning, they'll probably see things a little bit more profoundly, they'll spend more time trying to understand what's in front of them.
Every time something is going good, going great, there's always something that happens to remind you of reality.
Every time I'm feeling anxious, I go to my little meditation corner in my room and write down whatever I'm feeling. If I'm feeling terrible, I write that I'm feeling terrible and I accept that and I keep going, but I'm not going to wallow in that moment.
The reason I want to explain that you're probably never going to get revenge a sociopath and you're also probably not going to redeem this person, is that it is not a project that will ever succeed. At present, if a person does not have a conscience, we know of no way to instill one - not even a little bit. It's not like something you can take off the shelf and put into somebody's brain. It makes me so sad to hear people say, "I think I can see just a little bit of a conscience."
An outline is crucial. It saves so much time. When you write suspense, you have to know where you're going because you have to drop little hints along the way. With the outline, I always know where the story is going. So before I ever write, I prepare an outline of 40 or 50 pages.
I think it's a mistake to think, 'Am I going to write a young adult book, or do I desperately want to write a book for adults?' I think the better ambition is to try to write someone's favorite book, because those categorizations of adult, young adult, become kind of superfluous.
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