A Quote by Zoe Sugg

When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
HBO has 28 million subscribers, small stuff compared to TBS, which can be seen in 88 million homes.
Well, we're about 24 million subscribers today, and that's up from about 15 million a year ago, so it's a very high rate of growth, and that's what's exciting about the business - more and more people are getting smart TVs, they're watching Netflix on their iPads.
I think it took us nine years to get one million subscribers to AOL, and then in the next nine years we went from one million to 35 million.
By the time people came to realize that free, Web-based email was indeed a hot idea, Hotmail was adding 1 million new subscribers a month.
With 48 million subscribers through Xbox Live (silver and gold), Microsoft has a bigger audience than DirecTV.
For me, as I suspect for most people, there comes a point where you have enough. If you've got £20 million, why keep going until you've got £100 million or £1,000 million? Does anyone need another vast yacht or private jet or a house full of gold?
We estimate that by 2010 China will have added another 250 million subscribers, strengthening its position as the single largest mobile market in the world.
Something economically changed. It used to be that you needed 20 million people to watch a TV show for it to be a hit. Now, with just a few million people watching, you're considered very successful, for a lot of these streaming services, or cable channels. Now, that allows people to do much more creatively ambitious work, because it's not lowest common denominator.
One million, two million, three million seems like a lot of money. But if you spend $80,000 a month, it's really nothing.
I've got a few reasons why I've got to maintain stability. I've got into wanting people to hear my music. I've got something I want people to hear because I know they'll like it. They've gotta like it! The songs I've been writing are the sort of things you have to like.
As the stars make more and more money - one person gets $12 million, $14 million, $15 million, $20 million - everyone else is expected to work for peanuts. And that includes some extraordinary actors who are, today, working for peanuts because the production companies have decided they don't need to pay these people, and they don't.
I got a job writing for a financial technology newsletter in Manhattan. I didn't even understand what I was writing about. The newsletter had, like, 2,000 subscribers, and it was $700 a year for a subscription.
In the UK and the US especially you've got a lot of throwaway artists who have their 40 million dancers and they do their show. There's many artists who would not do a live show because they know they can't.
America is a nation of 270 million people: 100 million of them are gangsters, another 100 million are hustlers, 50 million are complete lunatics, and every single one of us is secretly in show business. Isn't that fabulous?
Maybe there is a sort of a sweet middle ground there, where you can do something with something with like 20 to 40 million and do something which is much more character driven, but still create a sort of visual spectacle around it. That is what I'd like to do.
Then once you've got that dream in mind please dream a million more and not a million quiet dreams, a million dreams that roar!
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