A Quote by Zoe Whittall

Lauren Kirshner creates a first-person narrator you never stop rooting for. . . . [Where We Have to Go] highlights Kirshner as a new novelist to watch. A very strong, original debut.
My role models are Bettie Page and Mia Kirshner. Every day when Mia comes to work she raises the bar for us all.
The music I was always attracted to and the shows I was really into like, you know, those weekend Don Kirshner shows, "Midnight Special," those shows, I remember watching those and the music was just on; it was the greatest radio stations.
Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. (...) Other stories are damaged by the urge to distance the narrator.
I think first-person narrators should be complex, because otherwise the first-person is too shallow and predictable. I like a first-person narrator who can't totally be trusted.
Often, what I tell a new CEO asking for advice, or one of my own new leaders, is the two most important decisions that your team is going to watch is the first person you hire and the first person you promote - because you are saying that's the type of person I want.
I never thought of myself as a strong person until I wrote my first book, and people started to say, 'You're a survivor. You're such a strong person.' It never ever occurred to me.
One of the strategies for doing first-person is to make the narrator very knowing, so that the reader is with somebody who has a take on everything they observe.
Hitchcock makes it very clear to us. There's an objective and a subjective camera, like there's a third- and a first-person narrator in literature.
When I first auditioned for Dexter... Well, I was sent the script, and I read it and loved it, and I knew right away that it was going to be a hit because it's the type of programming that I like to watch. It's that very morally ambiguous thing where you find yourself rooting for someone who's really an awful person, but... is he doing good? You're constantly calling into question your own moral code. I love that as an audience member.
To what or whom does Lizzie Harris direct the imperative title of her startling first book, Stop Wanting? To the reader, the narrator, to desire itself, or to lack? This is a work of complexly, ambiguously layered narratives and identities. The opening poem asserts I want to say what happened / but am suspicious of stories. These lines become an ars poetica for the whole of this painful and exceptional collection in which the unspeakable is stubbornly confronted by a searing eloquence. This is a commanding debut.
A very strong player can manage and can just know how to manage a thousand positions. I get it; it's a very arbitrary number. So then you have the world champion who could do more. But, again, any increase in numbers creates, sort of, a new level of playing. And then you go to the very top, and the difference is so minimal, but it does exist. So even a few players who never became world champion, like Vassily Ivanchuk, for instance, I think they belong to the same category.
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
I go home after games to watch the highlights with my friends, and I listen to the commentary and to the experts. I always get home by 10 o'clock at night so I can watch it live.
I'm very proud of my New York debut. I played Oscar Wilde in 'Gross Indecency' off Broadway in about 1997. And I was very proud of my Broadway debut in 'The Iceman Cometh.'
Sometimes I'll read an audition and I'll get a very strong first impression about who the person is, and I usually go with it.
The funny thing is, I was never purposely blonde. I just got highlights, and then you get highlights over highlights, and then it looks like you're blonde.
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