A Quote by Zoey Deutch

I get really nervous when people are like, 'I saw you in a trailer! I saw you on TV!' Genuinely, my cheeks get red. — © Zoey Deutch
I get really nervous when people are like, 'I saw you in a trailer! I saw you on TV!' Genuinely, my cheeks get red.
My whole life I saw everybody else get shine, I saw everybody else get money, everybody else wanted to rap. I saw them getting record deals and stuff like that. And everytime I saw that it was damn, I can't wait until my time.
There's something really cool about TV. TV, you get the luxury of having the same people around. It is such a blessing when you get a TV job. You really have a chance to get to make, like, work friends. I think TV is one of the few mediums where I've had the opportunity to get to know my crew members.
... people in the newspaper industry saw the web as a newspaper. People in TV saw the web as TV, and people in book publishing saw it as a weird kind of potential book. But the web is not just some kind of magic all-absorbing meta-medium. It's its own thing.
In Vice, I saw all of it in one. I saw a studio. I saw a content creator. I saw an agency. I saw a distributor. We want to learn from them. They're talking to a generation we're struggling to connect to as an industry.
I was genuinely frightened when I saw the Daleks. These ridiculous-looking things absolutely get to the core of you when you're standing in front of one.
Fame is a delicate and dangerous creature; I saw people who didn't honor it, who refused to take responsibility for it, get destroyed by it. I also saw that stardom in and of itself was empty.
I certainly wasn't able to get it when I was a kid growing up on the Lower East Side; it was very hard at that time for me to balance what I really believed was the right way to live with the violence I saw all around me - I saw too much of it among the people I knew.
I used to get tons of letters that said, "I'll never get to wear you," or "I'll never get married in one of your dresses," or "I'll never have an evening gown like the one I saw on the red carpet." I thought that was sad, because you give your life to this and you end up reaching very few people. So that was a major goal for me - to be able to reach and encourage more women, to encourage them to express themselves and be what they want to be.
I was very eager to produce an oscillator for short waves. I was doing science with microwaves, and I would get down to a few millimetres in wavelength, but I wanted to get shorter wavelengths; I wanted to get into the infra-red because I saw there was a lot more to be done there.
A couple days ago, I saw a lot of people tweeting, 'Oh, it's so cool 'Home' is being used in the Olympics!' We don't really get to watch much TV, man, with the concerts every night, but I wish I could have seen it. I really just found out through Twitter and my management texting me. I thought it was really awesome.
It's so scary. And then I end up getting so nervous that I get like [I am] now. I get really hyper. [Squeals.] So then I go in interviews and I'm like, 'I'm like a chihuahua! I'm shaking and peeing!' And then afterwards, I'm like, 'I just talked about peeing on the red carpet.'
People just like the thrill of anything. Dangerous things and dark things are exciting. Like as a kid, I knew I wasn't going to get killed if I went into the Haunted House but you kind of feel like you are. And when it comes out the track the other side, it's like, "we're still alive"! And I find it really funny when adults get really scared because I've not been really scared since I saw Jaws when I was a little kid. I just think people like the thrill of it, they like to feel like they accomplished something, that they survived the movie.
A lot of stuff that I dealt with - music was my serenity, like kind of my safe place, my haven that I would just use in order to really just get away from the things that I saw every day. To kind of erase the things that I saw. So I stayed playing.
A Boat O beautiful was the werewolf in his evil forest. We took him to the carnival and he started crying when he saw the Ferris wheel. Electric green and red tears flowed down his furry cheeks. He looked like a boat out on the dark water.
Basically I got an insight into what it really was through Alcoholics Anonymous. One day the switchboard lit up and I saw where it was all going. I saw what alcohol could do to people and I saw that it wasn't a good thing anymore. Plus I wasn't a teenager anymore myself.
You know, there are a lot of directors, like Clint Eastwood (on Changeling) is one where he casts you and you know in many ways that's enough for him and so, you go, ok, well, he saw something. Ok, what is it that he saw? What is it that I brought to this and why am I right for this and not trying to double-guess it and get in your own way and get psyched out, 'cause he trusts so much.
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