A Quote by Zooey Deschanel
I feel like I can't fully understand what's happening now until I really understand what's happened before. But you do get sort of bogged down a little bit when you're trying to study so many years' worth of music. It can be a little bit overwhelming.
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I think one of the things about ageing is the jagged peaks become a little bit mellower...? Heheh. And I feel like I'm able to understand a little bit better where that sort of tack comes from.
The impositions that this government is trying to put on now, it's the typical death by 1,000 cuts. We'll take a little bit here, we'll take a little bit here, we'll take a little bit here. And it doesn't end the conversations for 25, 50 years. It starts the conversation again the next day what they're looking to take back.And really it's about freedoms.
Writing is a little athletic for me. I get worked up a little bit when I do it. So I guess I'm a little bit like that composer conducting. There are a lot of things that go into what I do, but I think athletics really sort of shaped my ethic.
I don't always have the time I wish I had to understand something I don't understand. So I'm trying to do a little bit less of the quick pieces and a little bit more of the "here's how the Singaporean health care system works" kind of stuff, because to be good at my job, I have to keep learning. The thing that I fear the most is becoming one of those journalists who is still trying to apply the thinking of the decade in which they started three or four decades later.
He (Shaithan) is extremely patient. He won't get you in one shot. He'll come at you and he'll put a little bit and a little bit and a little bit until he destroys your character.
I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
I don't really know too many designers. I like a lot of what Kanye West has done with Yeezy, but I think it's a bit too, how you say, elevated; it's a little bit too special. Like he's trying to make something that's kind of a little bit too cool sometimes.
I believe I've accomplished my goals of trying to get better every year, and a little bit of that, a little bit of luck, a little bit of everything just falls in place, and you end up on top.
I think everybody who really wants to change things has to allow themselves to be angry in a constructive way, and you have to fully understand the thing you're trying to change. We really need to get serious about this now; there needs to be real, effective programs. I think there needs to be a little bit more strategy involved and a little more realism, to be pragmatic and realistic, looking at the way we as women contribute to the problem. Once the second half of the population stops doing it, it's going to end.
I think you do have to attend to the sort of core values of film, which is that the audience wants to have a relationship with the characters, they want to understand what's going on there. There are certain things that comics can have a little bit more freedom in then when you're asking an audience to engage in it as a piece of cinema, but I do feel like the canvas is much bigger and wider and that we're being invited and frankly challenged to take risks, to be a little bit different. And that's fun, that's exciting.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
If you have a crippling fear of public speaking, recognize that that is perfectly normal. And know that the only way to get over those nerves is to fully understand the material, the points, the policy you are trying to explain - and then practice it a little bit.
My period as a young teenager when you really listen to music so you can get understand a little bit more about what the music is was, say, 1965 to 1968. I was just lucky to be in those times.
I like to mix and match things so I'm infusing a little bit of jazz, a little bit of classical, a little bit of soul, into the whole blues idiom and I'm coming up with something that I'm really interested in.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.
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