A Quote by Zooey Deschanel

I actually did a lot of improvised movies or movies that were partially improvised. — © Zooey Deschanel
I actually did a lot of improvised movies or movies that were partially improvised.
At a certain point, I started playing improvised music. After a couple of years of this, I did a little bit of analysis and found most improvised music the kind I was listening to at least, which was mainly European to be as, if not more, formulaic than any other kind of music. For example, improvised pieces would often begin and end in the same way.
Many times I'll improvise it, which isn't done a lot in movies or commercials. But a lot of my commercials are improvised.
I've always liked the idea of improvised music. Improvised anything. It's what conversation is.
A master of improvised speech and improvised policies.
I've always loved improvised movies like Christopher Guest and the 'Spinal Tap' era of comedy.
I did two movies that were arthouse movies; they were critically successful but made no money at all... but after making those movies, I thought, 'I wouldn't watch my own movies when I was 16, and my buddies where I came from wouldn't watch my movies, because they were boring.'
I am an improviser, ... I improvise music. Whatever you want to call it all, it is all improvised music. I may capture it and go back and write it down for others, but it was originally improvised.
I watched a lot of pot movies before we did this [Pineapple Express]. My favorites were always the characters in movies that weren't necessarily in stoner movies.
What I'm after is a composed music that will sound like improvised music when improvisors play it. You shouldn't be able to tell what parts are being improvised and what parts were written out beforehand; it should sound like the same music.
As there are more online archives of improvised music, it becomes more like the daily practice of playing it. It lessens the idea of there being masterpieces of improvised music through benchmark recordings.
I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.
Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.
The transition from tiny movies to less tiny movies to really big movies has been actually quite seamless in a lot of ways as far as my experience of acting in them.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I like zombie movies, and I like genre movies a lot. To watch. Less so to make, I think. But I grew up on that stuff. I would just grow up watching a lot of horror movies, a lot of slasher movies and then zombie movies.
On 'Sin Nombre,' Adriano Goldman and I improvised a lot of things on-site. We were working with untrained actors, and you can't really block a scene in a traditional way.
This site uses cookies to ensure you get the best experience. More info...
Got it!